Page 136 - Christie's July 9th 2020 Hong Kong Important Chinese Works of Art
P. 136

2877

         A PAIR OF POTTERY ‘LION’
         TILES

         NORTHERN SONG DYNASTY (960-1127)
         Each rectangular panel is carved in high
         relief with a ferocious lion seated on a lotus
         base, one with its front paw on a brocade
         ball, the other with its paw on a cub.
         Lion with a cub: 23 º in. (58.8 cm.) high,
         stands                       (2)
         HK$300,000-400,000
         US$39,000-52,000
         As in the West, the lion in China was regarded
         as the king of the beasts, and was a symbol of
         protection, harmony, blessings and high rank.
         In their capacity as defenders of the Buddhist
         law and protector of sacred buildings, lion
         figures were placed at the entrance to temples,
         shrines and sometimes private residences.
         They were usually placed in pairs with the
         male on the left, female on the right. The motif
         of lions playing a brocade ball first appeared
         during the Song dynasty, when it began to
         convey a more secular meaning of familial joy
         and prosperity. Compare with a Jin dynasty
         pottery tile of a lion playing a brocade ball in
         the Claire & Francis Heritage Lane Collection,
         exhibited in Splendor of the Past: The Spirit
         and Form of Ancient Chinese Ceramics at
         The Hong Kong University of Science and
         Technology, 2014.
         The result of Oxford Authentication Ltd.
         thermoluminescence test no. C110j72 (29 July
         2010) is consistent with the dating of this lot.
































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