Page 277 - 2019 September 13th Christie's New York Important Chinese Works of Art

Fig. 1 Drum-shaped water jar with applied peony design reliefs, 13th
century. Seikado Bunko Art Museum, Important Cultural Property;
Seikado Bunko Art Museum Image Archaives/DNPartcom

The barrel-form jar, known as a drum-form water vessel in Japan, is one of the rarest Longquan celadon forms. There appears
to be only two other known examples. The most famous is the Longquan barrel-form jar (22.3 cm. diam.) with its original
cover in Seikado Bunko, dated to the 13th century, illustrated by H. Gakuji, Sekai Toji Zenshu (Ceramic Art of the World), vol.
12: Song, Tokyo, 1977, pp. 94-5, nos. 85-6. (Fig. 1) The Seikado Bunko jar and cover is highly prized in Japan and is arguably
one of the most iconic masterpieces of Longquan celadon in the world. It is designated as an Important Cultural Property
in Japan and was formerly in the collection of the most prominent Edo Period (1603-1868) merchant family, the Kounoike
family. The other barrel-form jar (20.9 cm. diam.) with more densely packed drum studs on the rims in the Percival David
Foundation, dated to the Yuan dynasty (1279-1368), is illustrated by S. Pierson, Illustrated Catalogue of Celadon Wares in the
Percival David Foundation of Chinese Art, London, 1997, p. 26, no. 225. Longquan ware is known for its large-scale production,
especially during the Yuan dynasty when production increased, with some 300 kilns active in the Longquan area from the
Dayao, Jincun and Xikou kiln complexes in the west to those on the Ou and Songxi rivers. This massive production not only
supplied domestic market for middle- and upper-class patrons, but also supplied the international market, particularly the
Middle East and Japanese clientele. More than three thousand Longquan celadon wares were also found in the cargo of
the Sinan wreck, which was on its way from Ningbo to Japan in 1323, when the ship foundered of the coast of Korea. See
R. Scott, Imperial Taste: Chinese Ceramics from the Percival David Foundation, Los Angeles, 1989, pp. 50-51. The rarity of
barrel-form jars might be ascribed to the special function they had, and they were probably made under special commissions.
Like other Longquan vessel types, the barrel-form jar continued to be made in the Ming dynasty. A Ming Longquan celadon
barrel-form jar of much smaller size (9.6 cm. diam.) and with carved decoration in Eisei Bunko Museum, Tokyo, is illustrated
in Kuboso Memorial Museum of Art, Sensei, Bansei and Celadon of Longquan Yao, Izumi, 1996, p. 32, no. 128.
The decoration on this barrel-form jar, as well as the two aforementioned examples, is executed in a popular method used
at the time, that of “sprig” molding, where the decoration was molded separately and then applied to the surface before
glazing. A Longquan phoenix-tail vase with similar sprig-molded peony-scroll decoration around the body from the Fujita
Museum collection, was sold at Christie’s New York, 15 March 2017, lot 501. Another Longquan phoenix-tail vase with similar
decoration from Taisan-Ji temple, Kobei, is illustrated in Kuboso Memorial Museum of Art, Sensei, Bansei and Celadon of
Longquan Yao, Izumi, 1996, p. 59, no. 75.