Page 15 - Bonhams Chinese Art July 11 2018
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           PAINTINgS & PRINTS                                 51  Y Ф
                                                              TwO kAkeMONO
           49                                                 By Nomura Bunkyo (1854-1911), Meiji era
           THRee ScROll PAINTINgS                             The first is in the Shijo-style depicting two figures drinking tea in a
           Edo period and later                               pine grove beside a stream, clouds swirl among the tree tops, with
           Daikoku and Ebisen, colour on silk, by Kano Naganobu, signed Isen’in   inscription and seal, colour and ink on silk, mounted on silk brocade
           hogen hitsu (painted by Isen’in with the hogen title), seal mark reads   with ivory scroll ends, with box, image 119.5cm x 42.5cm; the second
           Eishin, Edo period, 88cm x 39.5cm, and mounted on brocade silk with   in the Nanga-style of a pavilion behind pine trees beside flowering river
           red lacquer scroll ends, with storage box; Three famous waka poets   reeds, signed Bunkyo with seals, colour and ink on silk mounted on
           of the Heian period, colour on paper, signed Kofuku utsusu, the seal   silk brocade with ivory scroll ends.
           marks read Kofuku no in (The seal of Kofuku) and Aijudojin, 101cm x   Image 139cm x 42cm, and with box (4).
           42cm, and mounted on paper; Sugawara no Michizane seated under
           a plum tree, colour on paper, signed Gessho kinsha, seal mark reads   £250 - 350
           Sugiki Gessho, 115cm x 41cm, and mounted on paper.
           (4).                                               52
                                                              A quANTITy OF wOOdBlOck PRINTS
           £200 - 300                                         Comprising various actor and bijin subjects, some as triptychs others
                                                              as individual sheets: one oban by Kitagawa Utamaro (1753–1806);
           The painter Kano Naganobu (Eishin) Isen’in was the 7th generation   one oban by Shunsen (1762-1830); twenty-seven oban by Utagawa
           head of the Kobikimachi branch of the Kano School.   Kunisada (also known as Utagawa Toyokuni III, 1786–1865); five oban
                                                              by Kikukawa Eizan (1787–1867); three oban by Utagawa Kuniyoshi
           The three poets, Kakinmoto no Hitomaro, Ono no Komachi and Kino   (1798–1861); one oban by Tsukioka Yoshitoshi (also named Taiso
           Tsurayaki, are included among the Sanjurokkasen (Thirty-six Immortals   Yoshitoshi, 1839–1892); two oban with unidentified signatures;
           of Poetry).                                        together with two watercolours and various reproductions.
                                                              (38 oban).
           Sugawara no Michizane was a poet and politician of the Heian period,
           and was later deified as the Shinto god of learning, Tenjin.  £800 - 1,000

           50                                                 53
           FOuR wOOdBlOck PRINTS                              FISH SeRVed ON A leAF
           Utagawa Hiroshige (1797-1858), Keisai Eisen (1790–1848), and   Maeda Seison (1885-1977)
           Utagawa Toyokuni (1769–1825)                       Ink and colour on paper, with seal and signature.
           The first depicting the Motomachi Detour from the ‘Fifty-three Stations   42cm x 52cm, and mounted on silk brocade, with box (2).
           of Tokaido’ by Hiroshige, the second an urban landscape of Yushima
           Daijinja from the series ‘Edo Meisho’ by Hiroshige, the third a barefoot   £600 - 800
           bijin beneath flowering plum tree by Toyokuni, and the fourth a bijin
           with candle by Eisen.                              One of the ‘three pillars’ of the Nihon Bijutsuin (Japan Art Institute),
           Each oban 37.5cm x 24cm, and framed and glazed (4).  Maeda Seison was among the most influential Japanese artists of the
                                                              last century and is celebrated for his mastery of an extremely wide
           £200 - 300                                         range of styles and subjects: historical, religious, literary, bird-and-
                                                              flower, animal painting, and lively genre painting somewhat in the Shijo
                                                              manner.






           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  ASIAN ART  |  13
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