Page 278 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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                   white stubble of the  skin is exposed; rings  spiraling stripes of red lacquer and silver  164-169), as in this pair of daisho goshirae
                   are engraved on the section  near the  tsubd, plate. The sheath opening, the ring and  (cat. 187). High-relief menuki in the  form
                   or sword guard. The  tip of the  sheath,  hook to which the tying cord is fastened,  of mandarin oranges (tachibana),  the fam-
                   made of iron, tapers like "the  bottom  of a  and the tip are made of black-lacquered  ily crest of the  li, are placed on the red-
                   boat." The  round tsuba, also made of iron,  horn.                     lacquered rayskin-covered hilts, which are
                   is decorated  right and  left  with elegant  On  the brass tsuba is a large openwork  then wrapped with black silk cord.  The
                   openwork of silhouetted butterflies. This  moon; in the bottom half, in gold and  cop-  kashira (pommels) are made of  undeco-
                   dignified and subtly detailed  mounting  per, stands Zhang Guolao,  the  Chinese  rated silver; the fuchi  (collars at the  blade
                   conveys well the taste of the cultivated  Daoist immortal of the  Tang Dynasty who  end of the hilts) are made of brass and in-
                   Sansai.                        HY was said to have traveled immense dis-  set with the mandarin orange crest  in sha-
                                                      tances on a white mule, which he kept in a  kudd. The  rounded  tips of both  sheaths
                  190  Katana mounting                gourd, at his waist, when not needed.  are also made of silver, fashioned with a
                      wood, lacquer, rayskin, sharkskin,  The  metal fittings are by Tsuchiya  scroll motif. Red lacquer is applied to  the
                      rattan, gold, copper, brass, shakudd  Yasuchika (cats. 210, 211).  HY  sheaths  so as to look like cord wrapped
                      shell, horn                                                         diagonally. The  tsuba are made of  HY
                      length 96 (37 3/ 4)             191  Set  of daishd  mountings      shakudd.
                      Edo period, mid-i8th century       wood, rayskin, silk, lacquer,    192  Set  of daishd  mountings
                      Sword Museum, Tokyo                shakudd,  gold, silver, brass, horn
                                                         length  top, 101 (393/4); bottom,  63.8  wood, rayskin, silk, lacquer, iron, gold,
                   The  hilt, covered  with white rayskin, is  (2 51/8)                       horn
                   wrapped in brown-lacquered rattan.  The  Momoyama period, iyth century     length  top  105.8 (415/3); bottom 79.5
                                                                                              (31'A)
                   menuki, copper  with gold details, take the  li Naoyoshi  Collection,
                   form of a horse. The  kashira (pommel) and  Shiga Prefecture               Edo period, i8th century
                   the fuchi (metal collar at the blade end of                                li Naoyoshi  Collection,
                   the hilt) are made of brass with a paulow-  li Naomasa (1561-1602), a close ally of To-  Shiga  Prefecture
                   nia design in gold, shakudd, and shell.  The  kugawa leyasu, was famous for the red-
                   sheath  is covered  with what appears to be  lacquered  armor and swords that he wore  On both swords, large and small, the hilts
                   black-lacquered sharkskin, upon  which are  to battle; this style was carried on by sub-  are covered with white rayskin etched
                                                      sequent generations  of the li clan  (cats.


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