Page 281 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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196                                                       197


















         196  Sword  guard
             iron
             diam. 9.3 (35/8)
             Muromachi  period, early loth  century
             Fukushi Shigeo  Collection,  Tokyo

         This mid-Muromachi-period  iron sword
         guard, carved in the round  with an  open-
         work design of a rinbo, can be said to re-
         flect the  Buddhist faith of the warriors.
         The  rinbo design typically consists of eight             198
         swords, radiating out like the  spokes of a
         wheel, through  a lotus-shaped ring, which
         also symbolizes Buddhism. This sword
         guard has, on either side of the tang hole,  198  Sword  guard         199  Sword  guard
         openings through  which  the  kozuka (small  iron                          iron
         knife) and  kdgai  (a skewerlike implement)  diam. 8.9 (3 v*)              diam. 9.2 (35/8)
         would be  passed.              HY
                                                Muromachi  period,  loth century    Muromachi  period, loth  century
         197  Sword  guard                       Tokyo National  Museum             Tokyo National  Museum
             iron                            Owari tsuba were a type of iron sword  This iron tsuba is decorated with a broad
                       l
             diam. 10.5  (4 /s)              guard made from  the end of the  Muro-  openwork design of a vertical bow and  two
             Muromachi  period, mid-i5th century  machi period through  the Edo period in  horizontal arrows; two geese are in flight
             Kishida Eisaku Collection, Gunma  the province of Owari (presently part of  at the top and a roll of bow string can be
             Prefecture                      Aichi Prefecture). As reflected  by this well-  seen at the bottom. Until the mid-
                                             known example, the  iron typically had fine  fourteenth  century, the bow and arrow
         Probably crafted by an armor maker in  the  color and the distinctive designs were exe-  were the warrior's primary weapons,  and
         mid-Muromachi period, this iron tsuba is  cuted in openwork. Here a single crab fac-  from the Kamakura period,  when  the
         thin with a hollow rim. On  one side of the  ing to the right is depicted,  the  right claw  Minamoto  clan took control  of the  coun-
         tang hole  is a three-story pagoda and  on  large and the left one small. When  the  try and implemented  warrior rule,  they
         the other crossed  sickles, both in  skillfully  tsuba is worn, the  crab faces away from  were offered to Hachiman  shrines, such as
         executed  openwork. The  sickle probably  the  wearer's body.      HY  the one at Iwashimizu south of Kyoto, in
         represents  a sharp sword and the  pagoda a                            veneration  of Hachiman  Daibosatsu,  the
         memorial to warriors who died in battle. HY                            patron  god of the  warrior. The  bow and ar-




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