Page 284 - JAPAN THE SHAPING OFDAIMYO CULTURE 1185-1868
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                   Edo periods, was equally well known for  holes  for the  kozuka (small knife) and  kdgai  especially openwork iron tsuba, and  most
                   metal fittings. He made a great many  (skewer) are later additions.  HY  were decorated  with inlay work.  Through-
                   tsuba, using materials such  as brass, sha-                             out the Edo period  such  important  schools
                   kudd, and copper.  Designs included  depic-                             as the Hayashi, Hirata, Nishigaki, and
                   tions of such  motifs from nature  as oak  204  Sword  guard            Shimizu flourished; at the end of the  Edo
                   trees and grapes. His skill at  delineation,  Hayashi Matashichi  (fl. mid-iyth  period the famous Kamiyoshi Rakuju
                   composition,  and use of color evokes  the  century)                    appeared.
                   Rinpa style of painting.               iron with inlaid gold               Following the  move of the  Hosokawa
                      This round  tsuba, made of brass with  diam. 8.4 (3^4)               clan to Kumamoto in 1632, Hayashi Ma-
                   a slightly raised edge, is a representative  Edo period, iyth century   tashichi, the founder of the  Hayashi
                   work by Myoju. On both sides,  rendered                                 school,  was engaged  as an official  clan
                   in inlaid shakudd, is an oak tree with leaves  Eisei Bunko, Tokyo       craftsman. This fine flower-shaped iron
                   and acorns surrealistically large for its  Important Art  Object        tsuba by Matashichi  is decorated  with
                   trunk—an example of the  common  use of                                 crisply executed  openwork depictions of
                   dislocation and disjunction as decorative  The  metalworking industry of Higo Prov-  cherry blossoms and the  kuyd  mon,  the
                   devices in Japanese art. Flanking the  tang  ince (present-day Kumamoto  Prefecture)  Hosokawa family crest,  all detailed  with in-
                   hole on the front the artist's name  is en-  developed  under the protection  and pa-  laid gold. The  artist's name,  Matashichi, is
                   graved: Umetada  on the  right, and  Mydju  tronage of the  Hosokawa daimyo of Kuma-  inlaid in gold between the tang hole and
                   on the left. The  shakudd fillings in  the  moto, producing objects for the  sword  the  kozuka (knife) hole at the  left.  HY
                                                      mountings  for which  Higo was famous.
                                                      Various types of metal fittings were  made,


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