Page 87 - Chinese works of art and paintings, March 19 Bonhams
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8100
           A BLUE AND WHITE ‘DRAGON AND PHOENIX’ FISH BOWL
           Longqing mark and of the period                   Few Longqing marked porcelains exist due to the brevity of the
           Sturdily potted with gently bulging sides, boldly painted in deep   six year reign. We do know that many large fish bowls were made
           cobalt blue with two pairs of confronting dragon and phoenix, amid   as reported by Jessica Harrison-Hall, Ming Ceramics in the British
           scrolling clouds displaying the heaped and piling effect, above a band  Museum, London, 2001, p. 267-268, where the author notes that
           of crashing waves encircling the base, the rolled rim painted with a   in 1571, according to the Fouliang county records, an imperial order
           classic lotus scroll, the six-character horizontal Da Ming Longqing   was made for 105,770 items. Xu Shi, the censor for Jingdezhen at
           nian zao mark written just below the rim on the interior, the flat foot   that time, pleaded that large fish bowls be eliminated from the order
           unglazed.                                         as they were difficult to fire and had a high failure rate. However, from
           19 1/2in (49.5cm) diameter                        the surviving number of fish bowls from this short reign, it appears his
                                                             plea was ignored. An wucai example of similar shape, with a similar
           $5,000 - 7,000                                    mark is in the British Museum and illustrated op. cit., p. 268. A similar
                                                             one was sold in our London rooms, 7 Nov 2013, lot 216.
           明隆慶 青花龍鳳呈祥紋魚缸 《大明隆慶年造》款                             The heaping and piling effect, a characteristic of earlier Ming
                                                             porcelains, is clearly visible on the clouds in the present example,
                                                             and occurs when either because of high pigment concentration or
                                                             impurities in the cobalt, the underglaze decoration breaks through
                                                             the surface of the glaze.





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