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Handbook of Tibetan Buddhis#133  9/1/10  11:34 AM  Page 19







                                                 The Eight Auspicious Substances                          19


                         The white right-spiraling conch shell was  reflects all objects impartially, and yet re-
                       presented to the Buddha by the god Indra,  mains completely unaffected by the images
                       and represents right speech as the proclama-  that arise in it. It reveals all phenomena to be
                       tion of the Buddhadharma.                 void in essence. Like a ‘passing show’ it re-
                         The tilaka or sacred mark of red        flects all objects of the phenomenal world,
                       cinnabar was applied to the Buddha’s fore-  but reveals them to be without substance.
                       head by the Brahmin astrologer Jyotisharaja  In the ancient Indian ritual of abhisheka,
                       (Tib. sKar-rgyal), and represents right con-  meaning ‘consecration by sprinkling’, sacred
                       templation as the samadhi of one-pointed  images or ritual objects were ritually bathed,
                       meditative equipoise.                     or consecrated by sprinkling. Pouring water
                         The white mustard seed was presented to  over a mirror that reflected the image also
                       the Buddha by Vajrapani, the great Bodhi-  cleansed the reflection of the sacred image.
                       sattva of power, and represents right view   This rite is known as pratibimba, which liter-
                       as the ability to annihilate all false views or  ally means ‘reflected’. In Tibet this ritual is
                       notions.                                  known as the ‘divine ablution’ (Tib. khrus-
                         The eight auspicious substances listed  gsol), where water is sprinkled over the re-
                       above also represent the four karmas or ac-  flected image of a statue or thangka. The
                       tivities of an enlightened being. The mirror,  water, having bathed the form of the deity, is
                       medicine, and curds represent peaceful activ-  then considered to be consecrated water.
                       ities. The durva grass, bilva fruit, and conch  The mirror that the offering goddess
                       shell represent activities of increase. The red  Prabhavati presented to the Buddha was ab-
                       vermilion powder represents the activity of  solutely clear, flawless, bright, and untar-
                       subjugation, and the mustard seed repre-  nished. As a symbol of the enlightened mind
                       sents wrathful or destructive activity.   it reflected everything perfectly, without dis-
                         Like the eight auspicious symbols these  tortion or impediment. Artistically the mir-
                       eight precious objects may be represented in-  ror is depicted as a small white or silver disc,
                       dividually, with each object appearing alone  with its perimeter usually decorated with a
                       or in a separate bowl. They may also be col-  thin circular golden frame. A small central
                       lectively grouped behind rows of offering  circle and four directional circles are often
                       jewels, in the branches of a small wish-  inscribed upon its surface, symbolizing the
                       granting tree, or in a shallow bowl or tray.  enlightened qualities and wisdoms of the
                                                                 Five Buddhas.


                       THE MIRROR
                         (Skt. darpana, adarsha; Tib. me-long)

                       The mirror, as the reflective ‘witness’ of light,
                       represents form as the sense faculty of sight
                       and the sense organ of the eye. Its function is
                       to enable one to see oneself clearly, and as a
                       cosmetic accessory or household object its
                       auspicious importance is obvious. In Bud-
                       dhism the mirror is a perfect symbol of
                       emptiness or pure consciousness. The mirror              The mirror.
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