Page 71 - 2019 September 9th Bonhams Important Chinese Works of Art
P. 71

PROPERTY FROM THE COLLECTION OF ELLA VIRGINIA
           HOBART (1876-1958)
           864
           TWO RARE FAMILLE ROSE CHICKEN CUPS                As is de rigeur for Chinese decorative arts, the subject matter of
           Yongzheng six-character marks and of the period   roosters and flowers satisfies the requirement of being auspicious.
           Each with flared sides rising from a flat well, finely painted to the   Refer to Terese Bartholomew Hidden Meanings in Chinese Art (San
           exterior with three majestic cockerels, each with differently colored   Francisco: Asian Art Museum of San Francisco, 2006) 6.34.11, p. 157,
           plumage, scratching and pecking at the ground amid tufts of grass,   where the author notes that the motif of peony (fuguihua) and rooster
           beside pierced blue rockwork in front of chrysanthemums and peonies   (gongji) forms a rebus meaning ‘May you be conferred official rank and
           with large blossoms and buds, the foot inscribed in underglaze blue   gain prosperity’ (gongming fugui).
           with the six-character mark enclosed within a double-circle, one cup
           with a bat painted on the interior just below the rim.   Other than the usual wishes for good fortune however, in the present
           3 3/8in (8.5cm) diameter                          lot the choice of subject would also have hearkened back to the
                                                             doucai chicken cup of the Ming Chenghua era. Held then and now as
           $40,000 - 60,000                                  the one of the high points of technical mastery, this was a benchmark
                                                             for the potters at Jingdezhen against which they could prove their skills
                                                             for a very, very exacting imperial patron. The present lot however is
           清雍正 粉彩雞缸盃兩件 《大清雍正年製》款                             not a slavish imitation of the doucai prototype but rather a variation on
                                                             a theme, displaying a slightly varied wine cup shape with decoration
           Provenance:                                       fastidiously rendered in a sharply focused fencai rather then in a gauzy
           Virginia Hobart (1876-1958), and thence by descent   doucai. For another Yongzheng iteration inspired by Ming chicken
                                                             cup prototypes, see the pair from the Meiyintang collection, Sotheby’s
                                                             Hong Kong, 9 October 2012, lot 51: as noted there, that pair also
                                                             shows slight variations in shape and choices of execution but clearly
                                                             were also produced to conform to exacting Yongzheng imperial
                                                             standards.
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