Page 116 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 116

CHAPTER  3  Enamelled  Porcelain  Consumption  in  Eighteenth-century  China


                        3.2. Studies on the Domestic Consumption of Chinese Porcelain






                        Studies on domestic consumption are scarce. In recent years, scholars from research

                                                   3
                        fields such as global history,   economic history and material culture have examined

                                                                                                         4
                        the consumption of Jingdezhen porcelain of the seventeenth and eighteenth centuries.
                            As for porcelain consumption in China, scholars have conducted some general

                        studies. Robert Finlay examined the culture of porcelain in China between the tenth


                        and  fourteenth  century.  He  observed  that  porcelain  in  this  period  was  largely

                        consumed both in domestic and export markets. Porcelain was a substitute for jade,


                        and was mainly used to make every-day utensils. The most admired porcelain was

                                                      5
                        designed in the style of bronzes.   Compared to his extensive research on how Chinese

                        ceramics played roles in other cultures, his research on how ceramics were consumed

                        within  China  is  less  developed.  Moreover,  his  research  on  the  eighteenth  century


                        merely expanded on the famous letters from François Xavier d'Entrecolles (1664-















                        3   By far the most comprehensive study on Chinese porcelain in global context has been conducted
                        by Robert Finlay, see, Robert Finlay, The Pilgrim Art: Cultures of Porcelain in World History
                        (Berkeley, Los Angeles and London, 2010). In 2010, the project entitled Cultures of Ceramics in
                        Global History, 1300 to 1800, hosted by the Global History and Culture Centre at the University
                        of Warwick, explored many perspectives concerning the material and visual culture of Chinese
                        ceramics. The presented papers at the conference were later developed a special issue Global
                        China in Journal of World History vol. 23, no.1 (2012).
                        4   For studies of economic historians on Chinese porcelain consumption and its impact, the most
                        useful ones are from Maxine Berg: see ‘In Pursuit of Luxury: Global History and British Consumer
                        Goods in the Eighteenth Century’, Past and Present, 182 (February 2004), pp.85-143; ‘Asian
                        Luxuries and the Making of the European Consumer Revolution,’ in Maxine Berg and E. Eger
                        (eds.),  Luxury  in  the  Eighteenth  Century:  Debates,  Desire  and  Delectable  Goods  (London:
                        Palgrave, 2003), pp.228-244.
                        5   Finlay, The Pilgrim Art, pp.107-136.
                                                                                                      100
   111   112   113   114   115   116   117   118   119   120   121