Page 119 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 119

CHAPTER  3  Enamelled  Porcelain  Consumption  in  Eighteenth-century  China


                        emphasising the importance of the market for commodities and the way in which they

                                                                          12
                        function as symbols of social status in Ming China.   Jonathan Hay takes objects as

                        decorative  arts  in  material,  techniques,  patronage  and  taste  to  analyse  how  they


                                                                                                      13
                        together form a system that affects every level of decoration in Ming-Qing China.




                        3.4. Distinctive Values of Enamelled Porcelain





                        The issue of value has been addressed by historians investigating material culture and


                        consumer  preference.  Studies  used  ‘emulation’,  ‘conspicuous  consumption’  and

                        ‘distinction’  to  generate  a  wealth  of  information  about  the  material  culture.  The


                        economic historian Jan de Vries, in his study of ‘luxury’, situated in seventeenth-and

                        eighteenth-century  urban  centres  in  northwest  Europe,  contrasted  decorative


                        silverworks, as ‘new’ luxuries, with ‘old Luxury’, a type of consumption that thrived

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                        at court and served mainly to demarcate social status and the associated porcelain.
                        More recently, objects and materiality became the focus, in order to emphasise the


                        shifting perceptions of luxury or the increasing importance of comfort  and ‘sense

                              15
                        value’.   Maxine Berg and Helen Clifford, for example, reveal a shift in consumer

                        choice from  goods of intrinsic value to goods made from innovative processes of


                        12   Craig Clunas, Superfluous Things: Material Culture and Social Status in Early Modern China
                        (Cambridge: Polity Press; Honolulu: University of Hawaii Press, 1991 and 2004).
                        13   Jonathan Hay, Sensuous Surfaces: The Decorative Object in Early Modern China (London:
                        Reaktion Books Ltd, 2010).
                        14   A very good overview, see Neil McKendrick, ‘Introduction: The Birth of a consumer society:
                        The Commercialization of Eighteenth-Century England’ in Neil McKendrick, John Brewer, and
                        J. H. Plumb  (eds.),  The  Birth  of  a  Consumer  Society:  The  Commercialization  of  Eighteenth-
                        Century England (Bloomington, IN: University of Indiana Press, 1982), pp.1-8.
                        15   Maxine Berg and Helen Clifford (eds.), Consumer and Luxury: Consumer Culture in Europe,
                        1650-1850 (New York:  Manchester University Press,1999); Maxine Berg and Elizabeth Eger
                        (eds.), Luxury in the Eighteenth Century: Debates, Desires and Delectable Goods (New York:
                        Palgrave Macmillan, 2002); Maxine Berg, Luxury and Pleasure in the Eighteenth-Century Britain
                        (Oxford, 2005).
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