Page 98 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 98

CHAPTER  2  The  Production  of  Enamelled  Porcelain  and  Knowledge  Transfer


                        indicates that except for the new colours received from the Imperial workshop, the


                        manufacturer  at  Jingdezhen  at  the  time  conducted  many  experiments  in  enamel

                        colours itself.


                            More importantly, it shows that Jingdezhen not only accepted new enamel colours,

                        but  also  innovated  according  to  its  own  technological  circumstances.  Scientific

                        research  has  shown  that  the  glass  base  for  Jingdezhen  enamel  colours  was  lead-


                        potassium-silicate  formulation,  while  the  composition  of  the  enamelled  porcelain

                                                                                  54
                        made at the Imperial workshop was lead – borate – silicon.   Zhang Fukang of the

                        Shanghai Silicate Institute has carried out a comparative analysis of samples of Palace

                        workshop  falangcai  (imperial  workshop  enamelled  porcelain)  and  Jingdezhen


                                55
                        enamels.   He has noted that there is a difference in the flux formula. Jingdezhen
                        consisted of Lead oxide - Potassium oxide (PbO -K2O) whereas falangcai also has


                        boric  oxide.  These  oxides  act  as  flux  that  lowers  the  melting  temperature  of  the

                        enamels. It has also been shown that the new enamels of Jingdezhen were similar in

                                                                    56
                        formula to its own technique of wucai colours.

                            Recently, another scientific examination has confirmed the point that Jingdezhen

                                                                                                        57
                        has constantly improved on recipes of enamels, as well as the application methods.

                        Four  enamelled  porcelains  were  examined,  one  made  by  the  imperial  workshop

                        (dating from the late 1720s) and three made in Jingdezhen (dating from the late 1720s


                        to the early 1730s). An analysis was carried out by using optical microscopy and non-


                        54   Zhang Fukang, ‘Zhongguo chuantong diwen seliao yu yangcai [Chinese Traditional Low Fired
                        Glazes and Over-glaze Colours] in Zhongguo gudai taoci kexue jishu chengjiu [The Achievements
                        of Chinese Pottery] (Shanghai, 1986), pp.333-48.
                        55   Ibid.
                        56   This  was  conducted  by  Wang  Zhuping  from  the  National  Palace  Museum,  ‘Cong  hexue
                        wenxian  fenxi  huigu  kan  falangcai,  yangcai  yu  fencai  de  mingming  ‘[Scientific  Analysis  of
                        Chinese enamelled porcelain and its terms’,  Gugong xueshu jikan [Research Quarterly of the
                        National Palace Museum], 29, 3(2012), pp.138-140.
                        57   Ibid.
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