Page 82 - 2020 December 1 Bonhams Hong Kong, Fine Chinese Ceramics and Works of art

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A MUGHAL-STYLE CELADON AND The present lot with its lobed form and A RARE OPAQUE PALE-BLUE GLASS
MOTTLED GREY JADE BOWL elaborate design shows the distinct influence QUATREFOIL JARDINIÈRE
19th century of Mughal jades on Chinese jade carving. This Qianlong four-character mark and of the period
Of compressed form with deeply rounded was due to the favour shown by the Qianlong The thick-walled bowl with four lobed sides
sides supported on a short floral foot, with emperor to such jades which he termed in the form of a begonia flower raised on four
two pairs of peony flower handles suspending ‘Hindustan’ jades. See for example a Mughal small tab feet, the base wheel-cut with a
loose rings, finely carved in shallow relief to jade lobed bowl and two Mughal jade lobed Qianlong nian zhi four-character mark within
the exterior with flower blossoms between boxes and covers, in the National Palace a double square, the opaque glass of a bright
meandering acanthus leaves, the semi- Museum, Taipei, illustrated by Teng Shu-p’ing, turquoise-blue tone, box.
translucent stone of greyish-green tone. Exquisite Beauty - Islamic Jades, Taipei, 2007, 20.4cm (8 1/8in) wide. (2).
22.9cm (9in) wide. nos.60 and 125-126.
HKD250,000 - 350,000
HKD80,000 - 120,000 此洗仿痕式玉雕。從清宮檔案可知，至乾隆 US$32,000 - 45,000
US$10,000 - 15,000 晚年，眾多帶有伊斯蘭風格的玉器，成為官
員進貢首選，造成市場需求，因此中國玉工 清乾隆 天藍色玻璃海棠式盆
亦熱衷吸收伊斯蘭風格，對十八世紀晚期至
十九世紀 痕都斯坦式青灰玉雕活環洗
十九世紀的玉器風格長生變化。進貢至清宮
Provenance: 痕玉之例，可見台北國立故宮博物院所藏三
Carlos Alfredo Tornquist Altgelt (1885-1953) 件痕玉香薰，《國色天香：伊斯蘭玉器》，
Compagnie de la Chine et des Indes, Paris 台北，2007年，編號60及125，126。
(label)

來源：
卡洛斯·A·托恩奎斯特（1885-1953）
Compagnie de la Chine et des Indes畫廊，
巴黎（標籤）

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