Page 174 - Korean Buncheong Ceramics, Samsung Museum Collection (great book)

dragon-fish (cats. 17, 18, 38), 40, 41, 42, 66–68, Goryeo celadon, 3, 4–8, 16, 18, 28, 30, 33, 41, 81, Hosokawa clan, 97, 116
69, 78 85, 95, 107–8 Hosokawa Mitsunao (1619–1650), 115
dragons (cat. 2; figs. 2.7–9), 7, 8, 66, 66–68, imported into Japan, 98 Hosokawa Sansai (1563–1645), 101, 115
67, 91 inlaid (figs. 1.2, 2.5, 2.10–13), 6, 6, 52, 52, 72, Hwanghae Province, 27
drum-shaped bottles (cats. 9, 13, 23, 36, 41, 44), 72, 75, 75, 120 Hwaryeong kilns, 16
15, 15, 24, 28, 46, 47, 53, 60, 60, 62–64, transition to buncheong from, 53
63, 68, 71, 76, 121 Goryeo dynasty (918–1392), 3, 4, 8, 16 I
covered metal bowls (fig. 2.3), 47, 48 Iga kilns, 100
E inlaid metalwork and lacquer (figs. 2.4, 2.17), Imari kilns, 107, 110, 131n.7, 132n.24
Edo Japan (1615–1868), 97, 101–2, 104, 106–21, 52, 52, 78, 78 Imjin Wars (1592–98), 95, 112, 115, 121, 128, 131n.5
124, 128 Korean–Japanese relations in, 96 incised designs (cats. 1, 3, 11, 16, 27, 30, 31,
see also specific wares Goryeong kilns, 14, 19 40–42, 50, 51; fig. 2.1), 5, 9, 20, 21, 22, 28,
elephant decorations, 50 government bureaus, inscriptions of names of 29, 30, 33, 34, 36, 39, 51, 55–56, 55–57,
elephant-shaped ritual vessels (cat. 3, fig. 1.4), (cats. 5–7; figs. 1.6, 3.2), 2, 12–13, 12–14, 70–73, 85, 86
9, 10, 50 35n.12, 54, 100–101, 101 inlaid designs (known as mishima in Japan),
engraved inscriptions, 13 guiyal (broad flat brush), 22, 62 52–53, 56
ewers: gwa (fruit), dishes inscribed with (cat. 8), 14, 14 on buncheong (cats. 2, 10, 12, 17–19, 21, 23,
buncheong (cat. 18), 41, 42 Gwangju kilns (fig. 1.9), 28–29, 29, 31, 50 24, 28, 34, 43, 45, 46–49, 56, 68), 7, 15,
Goryeo celadon (fig. 2.5), 52 Gwangju National Museum (fig. 1.9), 28, 29 17, 20, 23, 33, 40, 42 –44, 46, 48, 53, 53, 61,
Goryeo metalware (fig. 2.17), 78 Gyeonggi Province, 14, 20, 128 69, 74, 78, 79, 80, 82 –84, 96, 98, 101, 102
kilns in, 16, 18, 27, 32 on contemporary ceramics (cat. 67), 122, 123
F Gyeongsangdo sokchan jiriji (Supplement to on Goryeo celadon (figs. 1.2, 2.5, 2.10–13),
fish (cats. 23, 34, 39–41, 46), 46, 60, 61, 68, the Geographical Appendix of 6, 6, 52, 52, 72, 72, 75, 75
69–71, 80, 92 Gyeongsang Province), 18 inscriptions (cats. 5, 7), 12, 13–14, 14
flask-shaped bottles, 93n.3 Gyeongsang Province, 14, 19, 54, 104, 106 on Korean-made wares in Japan (fig. 3.3),
black-glazed stoneware (fig. 2.2), 47, 47 decorative techniques in, 20, 30 98, 101–2, 102, 104
buncheong (cats. 11, 30, 40, 51, 54, 55, 80), kilns in, 16, 18, 27, 30, 32 on Kyoto and Seto wares (cat. 65, 66;
20, 21, 28, 32, 41, 47, 55, 55, 56, 68, 70, Gyeongseungbu inscriptions, 13 fig. 3.14), 118, 119–21, 120, 121
86, 86, 89–91, 90–91 on lacquerware (fig. 2.4), 52, 52
porcelain (fig. 1.8), 20, 20, 47 H on metalwork (fig. 2.17), 52, 78, 78, 93n.8
floral scrolls (cats. 22, 32, 52–54), 45, 58, 87–88, Hagi ware, 97, 106, 119, 122 on Takeo Karatsu ware (figs. 3.7, 3.8), 107,
87–89 Hakbong-ri kilns (fig. 1.10), 31, 58, 87, 101, 107, 122 108, 108
Furuta Oribe (1544–1615), 103 hakeme (slip-brushed): on white porcelain (fig. 2.18), 85, 85
as Japanese term, 4 on Yatsushiro ware (cats. 63, 64), 115–17,
G see also brushed white-slip designs 116, 116, 117
Gangwon Province: Hamgil Province, 27 Innyeongbu inscriptions, 13
kilns in, 27 Hangeul, 35n.12 inscriptions, 12–15, 29
gapbal (saggar), 32 Han-period earthenware, 64 Chinese characters in, 35n.12
Gimhae inscriptions (cat. 7), 14, 14 Hanyang (present-day Seoul), 27, 30, 121 gwa (fruit) (cat. 8), 14, 14
ginkgo leaves (cats. 61, 62), 112–14, 113, 114 Higo Province, 115–17 names of government bureaus (cats. 5–7;
Goheung kilns, 30, 32, 64, 87 see also Yatsushiro ware figs. 1.6, 3.2), 2, 12–13, 12–14, 35n.12, 54,
Gohon tea ware (Gohon Korai jawan) (figs. 3.5, Hirayama. See Yatsushiro ware 100–101, 101
3.12), 104, 104, 120 Hizen Province, 97, 106–15, 121, 131n.7, 132n.34 names of places (cat. 7), 13–14, 14
gold, 8, 10, 19 see also Karatsu ware; Utsutsugawa ware names of potters, 15
Gongju kilns, 28 hori-mishima (carved or stamped very deeply techniques employed for, 13
see also Hakbong-ri kilns into clay and inlaid with white slip), 102–3

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