Page 176 - Korean Buncheong Ceramics, Samsung Museum Collection (great book)

pond scenery (cats. 45, 46; figs. 2.16, 2.17), Shigaraki kilns, 100 Toyotomi Hideyoshi (1536–1598), 97, 106, 107,
78, 78–80 silver, 8, 10, 19, 47 131n.5
porcelain, 3, 4, 35n.3, 38, 41, 95, 106, 121 Six Dynasties, 47 tributary taxes, 8, 19, 20, 54, 101
cups with ear handles (fig. 1.5), 10, 11 slip. See white slip inscriptions and, 8, 12–14
with dragon decoration (figs. 2.8, 2.9), 67, 67 So clan, 97, 104 Tsujimura Shiro (b. 1947) (cats. 68, 69), 122, 124
in Japan, 98, 100, 112, 121, 131n.7 Song China (960–1279), 41, 93n.11, 100 Tsushima Province, 97, 104
kilns for, 16, 18, 28–29 Sonkai, 115, 133n.41 turtleback decoration (fig. 3.7; cat. 28), 53, 53,
metalware as model for, 10 spouted bowls (cat. 26), 47, 49 107, 108
Ming Chinese, 3, 19, 20 spouted teardrop-shaped bottles (cat. 18), 41, 42 turtles (cat. 46), 80
from official court kilns at Bunwon (fig. 1.8), stacking methods, 32, 132n.23
16, 19, 20, 20 stamped designs (known as mishima in Japan), U
relationship between buncheong and, 19–22, 54–56 Ulsan kilns, 27, 30
30, 33, 43 on buncheong (cats. 5–9, 12, 20, 21, 23, 29, Utsutsugawa ware (cats. 61, 62), 112–15, 113–15
see also blue-and-white porcelain; 34, 57; figs. 1.6, 3.2), 2, 6, 12 –15, 15, 19,
white porcelain 20, 22, 23, 28, 30, 33, 38, 43, 44, 46, 53, V
potters’ names, inscriptions of, 15 54, 54–56, 60, 61, 98, 99, 100, 101, 101, vases (cats. 10, 67), 16, 17, 115, 123
potter’s wheels, 32, 38, 41 102, 134
production methods, 22, 32, 37, 38 on Goryeo celadon (fig. 2.13), 75, 75 W
Pyeongan Province, 27 inscriptions (cats. 5–8; fig. 1.6), 2, 12–14, 13 wabi aesthetic, 98, 100, 106, 119
on Korean-made wares in Japan (figs. 3.3–5), Wanju kilns, 27, 28, 31
R 98, 100, 101–3, 102–4 water droppers (cat. 19), 41, 43
Raku kilns, 100, 119 on Kyoto ware (cat. 65), 118, 119 white porcelain (figs. 1.8), 16, 20, 20, 22, 43, 50,
red slip, 6 on Takeo Karatsu ware (figs. 3.7, 3.8), 107, 64, 98
ritual vessels (cat. 27), 28, 50, 51 108 inlaid (fig. 2.18), 85, 85
dishes inscribed with gwa (cat. 8), 14, 14 stem cups (cat. 20), 28, 41, 43 white slip, 4, 8, 22, 32, 38, 55, 93n.11
elephant-shaped (cat. 3, fig. 1.4), 9, 10, 50 stoneware, 35n.3 in contemporary ceramics (cats. 70–73;
metalware, 10, 50 fig. 3.5), 125, 125–27, 128, 129
T in Karatsu ware (cat. 60), 107, 108, 109, 110
S taegeuk (yin–yang symbol) (cat. 55), 90, 90–91 in Utsutsugawa ware (cats. 61, 62), 112–14,
saggars, 32 Taejong sillok (Annals of Taejong [r. 1400–1418]), 10 113, 114
sangbeon (stacking method), 32 Takatori ware, 97, 104, 106 see also brushed white-slip designs
Sangnimwon, 16 Takeo Karatsu ware (cat. 60; figs. 3.7, 3.8, 3.11), white-slip-dipped ceramics (known as kohiki
Saongwon (formerly Saongbang), 16 106–12, 108 –11, 114 in Japan):
Satsuma ware, 97, 106 Tanaka Keibuzaemon, 112 buncheong (cats. 15, 26, 37, 58), 22, 26, 30,
scroll motifs (cats. 22, 32, 52–54), 45, 58, 87–88, Tang China (618–907), 47, 111 33, 49, 64, 65, 100, 100
87–89 tea bowls, 30, 133n.48 contemporary (cats. 68, 69), 122, 123
Sejong sillok (Annals of Sejong [r. 1418–50]) contemporary (cat. 69), 124 willows (cats. 42, 45, 46), 73, 78, 79, 80
(fig. 1.4), 9, 10 of Edo Japan (cats. 59, 62, 64–66; figs. 3.2–5,
Sejong sillok jiriji (Geographical Appendix to 3.12), 100–104, 101–4, 112–14, 114, 115, 117, Y
the Annals of Sejong; 1424–32), 18, 27 117, 118, 119, 120, 131n.13 Yanagi Soetsu (1889–1961), 122
Sen no Doan (1546–1607), 101 tea ceremony (chanoyu), 64, 96–97, 98, yangban (scholarly elite), 3, 19
Sen no Rikyu (1522–1591), 98, 101, 131n.13 100–104, 106 Yatsushiro ware (cats. 63, 64), 115–17, 116,
Seto ware (fig. 3.14), 100, 107, 119–21, 121 teardrop-shaped bottles: 117, 133n.41
sgraffito designs (cats. 16, 31, 42, 51, 55), 20, buncheong (cats. 12, 16, 37–39, 43, 45, 49, Yebin inscriptions (fig. 3.2), 100–101, 101
22, 28, 29, 30, 33, 36, 39, 55–56, 57, 73, 50), 39, 41, 65, 68, 69, 74, 79, 84, 85 yin–yang symbol (taeguk) (cat. 55), 90, 90–91
86, 90, 93n.11 white porcelain (fig. 2.18), 85 Yi Seon, 19
shapes: Tokugawa Ieyasu (1542–1616), 101 Yoon Kwang-cho (b. 1946) 125–26; Meditation
of buncheong, 38, 41–50 Tokugawa Yoshinao (1601–1650), 101 (cat. 72), 125, 127 ; Moon and Pond
of Edo-period ceramics, 108, 114–15 tortoise decoration (cat. 3), 9, 10, 50 (cat. 71), 125, 126 ; Rhythm (cat. 70), 125,
metalware’s influence on, 47 tortoise-shaped bottles (cat. 46), 80 125 ; Work (fig. 3.15), 125, 126, 126
see also specific shapes

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