Page 175 - Korean Buncheong Ceramics, Samsung Museum Collection (great book)

Insubu inscriptions (fig. 1.6), 13, 13 Karatsu ware (fig. 3.6), 97, 100, 104, 106, 107, 114, metalwork:
iron-painted designs, 58–60 122, 131nn.6, 7, 132n.23 buncheong influenced by, 8–10, 47, 50
on buncheong (cats. 13, 22, 32–34, 39, 50, Takeo Karatsu ware (cat. 60; figs. 3.7, 3.8, ceramics as substitute for, 8–10, 19
52–54; fig. 3.2), 20, 22, 24, 28, 33, 45, 3.11), 106–12, 108–11 inlaid designs on (fig. 2.17), 52, 78, 78, 93n.8
58–60, 58–61, 69, 87, 87–89, 92 (detail), kilns, Japanese: Ming China (1368–1644), 3, 8, 19, 20, 93n.11, 131n.5
100–101, 101, 134 distribution of sites, 105 Mino kilns (figs. 3.4, 3.10), 100, 103, 103–4, 106,
on Cizhou ceramics, 93n.11 excavations of, 114–15 110–11, 111
inscriptions, 13 stacking methods and, 132n.23 mishima (stamped and inlaid):
in Japan (cats. 60, 61; fig. 3.6), 107, 107, 109, kilns, Korean, 37, 41 as Japanese term, 4, 101–2
110, 110, 112 celadon, transition to making buncheong, 18 see also inlaid designs; stamped designs
on porcelain (fig. 2.8), 67 distribution of sites, xiii, 27 Mishima-oke (fig. 3.3), 101–2, 102
Isahaya clan, 112, 115 excavations of, 27–30, 54, 122, 124 Miwa family, 122
government supervision of, 16, 18–19, 35n.19 Momoyama Japan (1573–1615), 98, 120
J size and structure of, 30–32 Karatsu ware of (fig. 3.6), 107, 107, 112
Jangheunggo inscriptions (cats. 5, 7), 12, 12, 13, stacking methods and, 32 Oribe ware of (figs. 3.4, 3.10), 103, 103–4,
14, 28 Kim Jong-seo, 19 110–11, 111
Japan, 30, 95–121 Kim Whan-Ki (1913–1974): Heaven and Earth Muromachi Japan (1392–1573), 96–97
areas of stoneware production in (map), 105 (24-IX-73#320) (cat. 75), 134, 136
buncheong imports in, 98, 100–101 Kishidake kilns (fig. 3.6), 106, 107, 107, 132n.24 N
ceramics made in Korea for export to Kiyomizu Rokubei I (1737–1799) (cat. 66), 119, 120 Naeseom inscriptions (cat. 6), 13, 13
(cat. 59; figs. 3.3, 3.5, 3.12), 97, 101–3, Koda. See Yatsushiro ware Nakazato family, 122
102 –4, 104, 106, 119, 120, 122 kohiki (slip-dipped): National Museum of Korea, 28
contemporary proponents of buncheong as Japanese term, 4, 64 Neo-Confucianism, 10
idioms in (cats. 67–69), 122, 123, 124 see also white-slip-dipped buncheong Nonomura Ninsei, 133n.43
Korean potters captured and taken to, 104, Kondo Yutaka (1932–1983) (cat. 67), 122, 123
106, 115, 121 Kondo Yuzo, 122 O
Korean relations with, 96, 97 Kotoge kilns (fig. 3.7), 107, 108 onggi, 131n.6
Japanese colonial period (1910–45), 4, 27–28, Ko Yu-seop (Uhyeon, 1905–1944), 4 Onikiuwa kilns, 114
122, 128 Kyoto ware (cats. 65, 66), 106, 112, 118, 119, orchids, 75
Japan House, Busan, 97, 104 120, 132n.34 Oribe ware (figs. 3.4, 3.10), 103, 103–4, 106,
jars: 110–11, 111
buncheong (cats. 10, 14, 15, 21, 22, 31–34, 42, L Orye-ui (Five Rites), 50
56, 57), 17, 22, 25, 26, 28, 44, 45, 57–61, lacquerware, 10 Owari Tokugawa family, 101
73, 96, 98, 99 Goryeo inlaid (fig. 2.4), 52, 52
contemporary (cat. 73), 128, 129 Leach, Bernard (1887–1979), 128 P
Edo-period (fig. 3.6), 107, 108 Lee HunChung (b. 1967) (cat. 73), 128, 129 peonies, 85–86
Jeolla Province, 14, 19 Lee Jong-Sang (b. 1938): 90-23 Earth (cat. 74), on buncheong (cats. 10, 12, 13, 16, 22, 24, 31,
decorative techniques in, 20, 30, 55, 64, 87 134, 135 33, 50, 51), 17, 23, 24, 36, 39, 45, 48, 56,
kilns in (fig. 1.9), 18, 27, 28–30, 29, 31–32, 50 Lee Ufan (b. 1936): From Point (cat. 76), 134, 137 57, 59, 60, 60, 85, 85–86, 86
Jinhae kilns, 27, 30, 32 lotuses, 81, 93n.19 on Edo-period ceramics (cat. 64), 117, 117
Joseon dynasty (1392–1910), 3, 4, 8, 10, 96 on buncheong (cats. 18, 34, 39, 45, 47–49, on Goryeo celadon (fig. 1.2), 6
Joseon wangjo sillok (Annals of the Joseon 56), 41, 42, 61, 69, 78, 79, 81, 82 –84, 96 on inlaid white porcelain (fig. 2.18), 85, 85
Dynasty), 16 on Goryeo celadon (fig. 2.5), 52, 81 pictorial scenes (cat. 38), 69, 78
Jungmo kilns, 16 pond scenery (cats. 45, 46; figs. 2.16, 2.17),
M 78, 78–80
K maebyeongs (plum bottles): pilgrim jugs, 47
Kaga clan, 115 buncheong (cats. 2, 17, 47), 6–8, 7, 28, pine trees (cat. 60), 109, 110, 132n.29
Kakiemon ware, 112 40, 41, 68, 82 place names, inscriptions of (cat. 7), 13–14, 14
Kannon kilns, 114 Goryeo celadon (fig. 1.2), 6, 6 plum blossoms (figs. 1.7, 3.4), 16, 75, 103
porcelain (fig. 2.8), 67, 67 plum bottles. See maebyeongs

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