Page 128 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
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recorded that “in Qianlong’s 51 year [1786], the position of resident deputy supervisor
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was terminated.” Zheng also noted a change in the imperial court’s relationship to
Jingdezhen when he remarked in his poems, Taoyang zhuzhici (Bamboo Grove Poems
from Taoyang [Jingdezhen]) that Jingdezhen supervision fell under Raozhou prefecture
and that the position of a resident imperial kiln supervisor no longer existed in the early
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Jiaqing period. First published in the Fuliang County Gazetteer in 1823 during the
Jiaqing reign, the Bamboo Grove Poems were a collection of thirty poems accompanied
by the author Zheng Tinggui’s annotations that were dedicated to Jingdezhen. The
poems again appeared in the 1832 Daoguang version. They were edited by Gong Shi, a
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Nanchang native and Fuliang county official. In the Taolu, Zheng wrote that the
Jiaqing administration “decreed to value frugalness” (zhaoshang jiejian൝ਫ਼ືᄉ),
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implying his anxiety over the court’s decreasing investment in Jingdezhen. Writing
sometime after 1815, the first year of the Jiaqing reign, Zheng reiterated this point in his
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second poem of the Bamboo Grove Poems from Taoyang. Since the poems were
written specifically about Jingdezhen customs, of which porcelain objects were the
primary material icons, the poems reflect Zheng’s ambition to write and thus herald the
reputation of Jingdezhen the locale -- even more so than the text of the Jingdezhen Tao lu
itself.
In 1786, the Imperial Household department ceased the appointment of Imperial
Household officials (neiwu ren yuan ʫيɛࡰ) and their deputy assistants (zhu chang
xie li ታᅀଣ), who had previously resided in Jingdezhen and Jiujiang in order to
oversee the production of porcelain. Moreover, as Zheng Tinggui noted, the court turned