Page 126 - Jindezhen Porcelain Production of the 19th C. by Ellen Huang, Univ. San Diego 2008
P. 126

109



                       book was comprised of first-hand witnesses and testimonies of two native Jingdezhen

                             68
                       literati.   Zheng Tinggui, as Liu stressed, “was born and bred in Jingdezhen, lived his whole

                       life [in Jingdezhen] and could at any time record his observations on contemporary pottery

                              69
                       affairs.”    The preface exhibits two important themes.  First, the preface writer interpreted

                       Tao lu’s value in terms of its comprehensive coverage of porcelain production under the

                       “present ʦ” [Qing] dynasty.  Second, Liu believed the expert insight into porcelain


                       manufacturing provided by Tao lu stemmed from its nature as a text penned by local writers


                       who had spent their whole lives in Jingdezhen, not some provincial official secretary who

                       was not from the county.  Following this, Liu Bing then lauded the book for promulgating


                       the benefits of the imperial state’s patronage of Jingdezhen industry:

                                     Since the state (guojia) began provisions for potters… the
                                     people were secure (min an), and the objects increased in
                                     number (wufu), the workers were diligent, and the vessels
                                     improved in quality. The people of Jingdezhen became
                                     increasingly wealthy, and Jingdezhen ceramics became
                                     increasingly brilliant…But there are those who don’t know
                                                                                          70
                                     the reasons for such prosperity (you buzhi suoyou ran yi).

                       Indeed, as the first book to give an account of Jingdezhen porcelain up through the late-

                       Qianlong period, Tao lu’s textual, and as we shall later see, visual content privileged a


                       conceptualization of porcelain that combined the importance of local action with imperial

                       agency. Its enthusiastic narration of local production methods and materials at Jingdezhen


                       simultaneously exalted the locality and also the imperial court: in the text, Jingdezhen’s

                       uniqueness stemmed from its close relationship with porcelain produced for the court and


                       imperial use.  Such a propagandistic agenda is not surprising – Liu Bing was after all, a

                       county magistrate and both Lan Pu and Zheng Tinggui were born and bred in Jingdezhen.


                       However, self-glorifying purposes notwithstanding, Jingdezhen Tao lu’s agenda put forth
   121   122   123   124   125   126   127   128   129   130   131