Page 126 - Sotheby's May 10th 2017 London Important Chinese Art
P. 126

236

A VERY RARE BRONZE MOUNTED BLUE                                  Notable for its dynamic dragon motif on a raised cartouche,
AND WHITE EWER                                                   which adds a three-dimensionality to the design, this ewer
QING DYNASTY, QIANLONG PERIOD                                    re ects the aesthetic of the eighteenth century as dictated by
                                                                 the emperor. From the Yongzheng period, dynamic designs
the attened pear-shaped body rising from a short spreading       of front-facing dragons experienced a surge in popularity
foot to a narrow neck, set with a tall curved spout connected    and were one of the greatly favoured motifs of the Qianlong
to the neck by a lingzhi-shaped strut, freely painted around     Emperor due to its association with imperial power.
the body in underglaze blue with a dense stylised pattern of
scrolling oral blooms and curling foliage, centred on the front  In both form and design, this piece also embodies the Qing
and back by a tear-drop shaped panel of an ascending front-      emperors’ desire to celebrate and honour China’s glorious past
view ve-clawed dragon writhing among ames and clouds,            by taking inspiration from celebrated wares. The deliberate
all between a keyfret border and continuous petal lappets at     application of cobalt blue to create a dappled ‘heaping and
the neck and a ‘classic’ scroll border at the foot, the metal-   piling’ e ect of the design references the stippled early-
mounted high domed cover inscribed with Arabic inscriptions
attached to an arched strap handle set opposite the spout,        fteenth century blue-and-white porcelain. Furthermore, in
surmounted with a green hard stone nial                          its slightly attened form with raised cartouche, it draws from
36.8 cm, 14½ in.                                                 Ming dynasty prototypes which in turn derived from Middle
                                                                 Eastern metal examples.
PROVENANCE
                                                                 Ewers of this type are rare and only a small number of related
Christie’s London, 12th July 2005, lot 169.                      examples are known; see one with its original porcelain handle
                                                                 and cover, in the Roemer Museum, Hildesheim published in
಴£ 100,000-150,000                                              Ulrich Wiesner, Chinesisches Porzellan, Mainz am Rhein, 1981,
HK$ 965,000-1,450,000 US$ 125,000-187,000                        pl. 70; and a pair sold in our Hong Kong rooms, 1st May 2001,
                                                                 lot 537. Compare also a ewer of this type, but now lacking its
     2005 7 12  169                                              handle, from the Ottoman Royal collection, in the Topkapi
                                                                 Saray Museum, Istanbul, published in Regina Krahl, Chinese
                                                                 Ceramics in the Topkapi Saray Museum Istanbul, London,
                                                                 1986, vol. 3, pl. 2566.

                                                                 The intricately decorated metal mounts on this piece, the
                                                                 swelling forms of which complement the shape of the vessel,
                                                                 suggests it may once have belonged in a Middle Eastern
                                                                 collection.

124 SOTHEBY’S
   121   122   123   124   125   126   127   128   129   130   131