Page 107 - Bonhams May 2022 Arrow Vases
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           TWO VERY PALE GREEN JADE FIGURE   Music is an important part of the practice   兩件雕像小巧玲瓏,玉質溫和瑩潤,就料圓
           CARVINGS                          of arrow vase. The title of the music piece   雕。長鬚老者頭束髮髻,身穿長袍,衣著線
           18th century                      played when playing arrow vase was Lishou   條流暢,雙足微曲交疊,呈坐姿,雙手前伸
           The bearded sage crisply-carved in long   (Cat Head), an ancient poem in the style of   似擱於案上。童子圓臉豐腴,喜笑顏開,
           flowing robes seated with his legs crossed,   Book of Poems, and the band was assembled  雙手置於胸前,原應手持寶器,束腰裙帶飄
           his hands outstretched as if at his desk, his   with strings, drums and se (zither), which is   揚,整器形象生動,工料俱佳。
           hair tied into a bun and kept under a cloth   recorded in the chapter touhu (Arrow Vase) of
           cap, with contemplative expression, the boy   the Confucian classic, Li ji (Book of   音樂於投壺中乃是重要一部分。《禮記·投
           with jovial expression and arms folded, also in   Zhou Ritual).    壺》中記載投壺時,須有弦、瑟、鼓樂隊
           loose flowing tunic tied at the waist, both on a                   奏《狸首》古樂。本件玉雕老人從手勢及站
           carved wooden stand.              The figure of the old musician might play a   姿來看應該是在鼓瑟。參考一件西雅圖美術
           9.5cm (3 3/4in) high.; 9.4cm (3 3/4in) high. (3).  se (zither) according to his fingerings and   館藏一件十八世紀玉雕壽老,刻工與本件頗
                                             standing position.               似,見《Chinese Jades from the Collection
           HKD200,000 - 250,000                                               of the Seattle Art Museum》,西雅圖,
           US$26,000 - 32,000                Compare with a related jade carving of   1989年,編號62。
                                             Shoulao, 18th century, illustrated in Chinese
           十八世紀 青白玉壽老童子擺件                    Jades from the Collection of the Seattle Art
                                             Museum, Seattle, 1989, no.62, where the
                                             author notes that the 'clean crisp lines are
                                             typical of a well-known group that can be
                                             attributed to Suzhou workmanship of the first
                                             half century of the Qing dynasty'.


























































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