Page 205 - Chinese Art Auction April 25, 2020 2020 Galerie Zacke
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          A RARe gROuP OF PAINTed FeMAle ‘lONg sleeVe’      Music and dance were important elements of court ritual during the Han
          dANceRs, sheN-I, WesTeRN hAN dyNAsTy              dynasty (206 BC-AD 220), and these highly elegant figures in their tight-
                                                            fitting, wraparound robes (shen-i) represents a ‘long-sleeve’ dancer. A
          China, 206 BC-220 AD. Finely modeled each of heavy grey pottery, the   figure of this type, which has one long sleeve flung over her shoulder and
          dancers wear long, tightly wrapped, layered robes that accentuate   the other pendent at her side, in the Weber Collection, The Metropolitan
          the slender profile of their curved bodies as they bend forward in a   Museum of Art, is illustrated by D. P. Leidy, How to Read Chinese Ceramics,
          moment of the dance. The robes flare at the base and are hiked up   The Metropolitan Museum of Art, New york, 2015, no. 3, where Leidy
          at the back in a graceful arch, while the empty ends of the full sleeves   includes a poem that refers to these dancers:
          of the larger figure are flung outwards in sharp angles. Their faces
          are modeled with strong, intent features, and her hair is parted in the   „And they waved their long, dangling sleeves,
          middle and combed back in a looped knot. There are remains of white,   With a curvaceous, cultivated bearing,
          pink, red and black pigment. (2)                   Their lovely dresses fluttered like flowers in the wind.
                                                             Their eyes cast darting glances,
                                                             One look could overthrow a city.“
           Provenance: An Austrian private
           collection. Galerie Zacke, Vienna, April
           28th, 2004. Dr. Mons Fischer, acquired           Literature comparison: Another dancer of this type is illustrated by r.
           from the above for EUR €33,000. A copy           D. Jacobsen, Appreciating China: Gifts from Ruth and Bruce Dayton, The
           of the invoice from Galerie Zacke, Vienna,       Minneapolis Institute of Arts, 2002, pp. 144-45, no. 76. The sleeves of this
           April 28th, 2004, is accompanying this lot.      dancer are shown dangling from her raised hands which are held in front
           A seasoned private collector of modern           of her body. See, also, the four related dancers included in the Eskenazi
           and contemporary art, Dr. Mons Fischer           exhibition, Early Chinese art: 8th century BC - 9th century AD, London, 6
           has also acquired fine Chinese works of          June - 8 July 1995, nos. 33 and 35 to 37. The empty ends of the sleeves are
           art since the 1980s, eventually building         depicted as flat like those of the present standing figure.
           one of the most important collections of   Dr. and Mrs. Mons Fischer
           its kind in Austria.                              AucTION ResulT cOMPARIsON
           condition: Some repair and touchups as generally   Compare with a closely related figure of a single
           expected from Han dynasty excavations. Losses,    female dancer at Christies New york in Fine
           fissures and encrustations. Each statue with three   Chinese Ceramics & Works of Art part I, 17 - 18
           drilled holes from sample-taking. Overall very good   March 2016, lot 1473, sold for USD $37,500.
           condition.
           scientific Report for the standing figure: A
           thermoluminescence analysis report issued by     罕見一組彩繪長袖舞女陶俑,西漢
           Oxford Authentication on February 13th, 2020,    中國,公元前206至公元220年。灰色陶器精心模擬舞者們的神態動作。他們穿著長
                                                            而緊的舞衣,長袍分層,更加突出了她們修長優美的體態。袍子綫條流暢,立俑的
           based on sample number C120a74, sets the         整個袖子飛揚。舞女面部表情細膩,頭髮中分,腦後梳成髮髻。殘餘白、粉、和黑
           firing date of three samples taken at 1500 – 2400   色顏料。
           years ago. A copy of the report, issued by Oxford
           Authentication, is accompanying this lot.        來源:一個奧地利私人老收藏。維也納Zacke藝廊,2004年4月28日。Dr. Mons
           scientific Report for the seated figure: A       Fischer購於上述藝廊,成交價EUR €33.000。隨附發票複印件。Dr. Mons Fischer是
                                                            一位經驗豐富的現代和當代藝術私人收藏家,從1980年代開始收藏中國藝術品,最
           thermoluminescence analysis report issued by     終在奧地利建立了此類藏品最重要的收藏之一。
           Oxford Authentication on February 11th, 2020,    品相:漢代考古普遍預期的一些維修和修整。 缺損、裂縫和結殼。 測試所需的樣品
           based on sample number C120a75, sets the         採集產生的三個鑽孔。 總體狀況很好。
           firing date of three samples taken at 1500 – 2400   隨附牛津熱釋光測試檢測證書拷貝
           years ago. A copy of the report, issued by Oxford   重量:9公斤
                                                            尺寸:立像高52.5厘米,坐像32.5厘米
           Authentication, is accompanying this lot.        拍賣結果比較:一件類似的舞女陶俑2016年3月17至18日紐約佳士得《中國陶瓷和藝
                                                            術品 I》拍號 1473,成交價USD $37.500。
          Weight: 9 kg
          Dimensions: Height 52.5 cm (the standing figure) and 32.5 cm (the seated   estimate euR 10.000,-
          figure)                                           Starting price EUr 5.000,-

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