Page 240 - Chinese Art Auction April 25, 2020 2020 Galerie Zacke

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A JIZhOu TORTOIseshell-glAZed ‘guRI’
cONIcAl bOWl, JIN OR yuAN dyNAsTy

China, 1125-1368. Painted in a cream color with ruyi-heads Literature comparison: Song Ceramics from the Laiyantang Collection, 2010,
surrounding a central star-shaped flower on the interior, simulating p. 92-93, no. 37. Suzanne G. Valenstein, A Handbook of Chinese Ceramics,
tixi lacquer, on the exterior with mottled russet and pale blue specks Metropolitan Museum of Art, New york, 1989, p. 117, no. 113M. Medley,
simulating tortoise shell, against a dark brown glaze stopping at the flat The Chinese Potter, Oxford 1989, p. 130, fig. 117A. Ibid. 1989, p. 160, fig.
foot revealing the buff ware. 120. S.A. Valenstein, Handbook of Chinese Ceramics, New york 1989, p. 117,
ill. 113. Inaugural Exhibition, Vol. 1. Chinese Ceramics, The Museum of East
Asian Art, Bath 1993, no. 128, p. 174, no. 128.
Provenance: Dong Yu Artesanato, Macao. Dr. Koos de Jong, acquired
from the above in 1995 (no invoice available). Dr. de Jong is a Dutch art
historian and has been privately collecting AucTION ResulT cOMPARIsON
Chinese art over decades. He has Compare with a slightly smaller
authored hundreds of articles and several bowl with a similar design, from
books on Dutch fine and decorative arts the Southern Song dynasty, sold by
spanning from the Middle Ages to the Bonham’s Hong Kong in The Feng
modern era and published an extensive Wen Tang Collection of Early Chinese
study of saddle rugs in Dragon & Horse. Ceramics on 9 October 2014, lot 182,
Saddle rugs and Other Horse Tack from for HKD $625,000.
China and Beyond. Between 1976 and
2009 he worked for numerous museums Dr. Koos de Jong and
across the Netherlands and was director ingeborg de roode (photo 吉州窯玳瑁釉如意紋盞，金或元代
of the European Ceramic Work Center in courtesy of Stedelijk 中國，1125-1368。乳白色釉，內部飾花卉紋上可見如意紋，仿剔犀黑漆，外壁飾
Museum Amsterdam)
有斑駁的赤褐色和淺藍色斑點，模仿玳瑁紋，深褐色的釉則停在平足上，露出了 胎
Den Bosch. 體。
condition: Good condition with minor wear and firing flaws, pale-white
scratches from the rim along the exterior sides in one area, as well as 來源：澳門Dong Yu Artesanato。Dr. Koos de Jong1995年購於上述收藏 (無發
some intentional crackling to the glaze. 票)。Drs. Koos de Jong是一位荷蘭藝術史學家，幾十年來他一直私人收藏中國藝術
品。他撰寫了數百篇文章和幾本書，內容涉及從中世紀到現代的荷蘭美術和裝飾藝
術。2013年，他在《Dragon & Horse：Saddle Rugs and Other Horse Tack from
Weight: 232.5 g China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年
Dimensions: Diameter 15.6 cm 間，他曾在荷蘭的許多博物館工作，並曾擔任登博世歐洲陶瓷工作中心的主任。
品相：品相良好，輕微磨損，燒製瑕疵。外邊沿処青白色劃痕，釉面也有一些特意
形成的開裂。
The golden opalescent quality of the design contrasts very effectively with 重量：232.5 克
the dense, dark brown glaze beneath. This was an interesting technique 尺寸：直徑15.6 厘米
used at the Jizhou kilns to paint pale designs on top of the unfired glaze. 拍賣結果比較：一個相似的小些的南宋盞于2014年10月9日香港邦翰思《奉文堂中國
When the piece was fired, and the glaze flowed slightly, the designs were 早期陶瓷》拍號182，成交價HKD $625,000。
rendered in softer focus, and the patterns, which were often akin to those
seen on carved lacquers of the period, provided a pleasing richness of estimate euR 3.000,-
surface decoration. Starting price EUr 1.500,-

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