Page 260 - Bonhams Wen Tang Collectiont, October 2014 Hong Kong
P. 260

230            230  
               A small Qingbai tripod incense burner and cover
231            Southern Song Dynasty
258 | Bonhams  The cylindrical body raised on three bracket feet, covered with a
               thin translucent pale sky-blue glaze on the exterior, the unglazed
               base and interior exposing the white ware, the similarly glazed cover
               pierced with a wan symbol surrounded by moulded stylised flowers
               on thin leafy stems.
               9.5cm diam. (2).

               HK$50,000 - 80,000
               US$6,500 - 10,000

               南宋 青白釉香爐

               Compare with a Qingbai tripod incense burner excavated in 1973 from
               the Song Dynasty tomb of Bao Shou at Daxingji, Hefei, now in the
               Anhui Provincial Museum, illustrated in Zhang Bai, Zhongguo chutu ciqi
               quanji 9: Zhejiang, Beijing, 2008, pl.109.

               香爐筒狀,子母口蓋合,蓋面模印纏枝花卉,花團錦簇之間留有小
               孔,中間為鏤空萬字紋,便於煙氣蘊散而出。香爐爐蓋及爐身外壁光
               素無瑕,底部為均勻分佈的三個如意足。整體胎體緻密,通體施青白
               釉,純淨雅致。

               參看1973年安徽省合肥市大興集北宋包 墓出土一件青白釉香薰,現藏
               於安徽省博物館,著錄於張柏主編,《中國出土瓷器全集9:浙江》,
               北京,2008年,圖109。其蓋雖然為博山爐式,但香爐底部如意三足
               與本香爐類似。

               231  
               An unusual Qingbai tripod circular receptacle for
               the scholar’s desk
               Southern Song Dynasty
               Raised on three small scroll feet, decorated with leafy lotus scrolls on
               the sides, the top with one shallow round receptacle for water and
               two smaller and deeper receptacles, one round and the other oval,
               with a small aperture for holding a brush, covered overall with a pale
               sky-blue glaze.
               10.3cm diam.

               HK$40,000 - 60,000
               US$5,200 - 7,700

               南宋 青白釉印纏枝蓮花筆插

               筆插呈圓柱形,器面有大小有別的四孔,可置物插筆。器身外壁模印
               蓮花纏枝紋一周,下底作三足。整器造型規整,胎質緊密,通體內外
               施青白釉,紋樣更為突出。在宋代的《槐陰消夏圖》等繪畫中,都出
               現了此類筆插的形象。
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