Page 110 - November 2016 London Bonhams asian Art
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                     A FAMILLE VERTE ‘FOUR ARTS’
                     ROULEAU VASE
                     Kangxi
                     Finely enamelled with a continuous scene
                     of ten ladies in a terraced garden indulging
                     in the Four Arts of the scholar, with a lady
                     playing the qin, another two pursuing poetry,
                     a pair playing weiqi in front of an elaborate
                     dragon screen and a final three appreciating a
                     scroll painting, the shoulder with cartouches
                     containing the attributes, the straight neck
                     decorated with bamboo sprays. 46.5cm (18
                     1/4in) high

                     £7,000 - 10,000
                     CNY60,000 - 86,000	 HK$70,000 - 100,000

                     The present vase is notable for both the
                     rare subject matter, which sees court ladies
                     as the main actors in the ‘Four Arts’ of
                     poetry, painting, music and weiqi, normally
                     associated with the scholar-gentleman, and
                     for the remarkably accomplished execution of
                     the painting.

                     Whilst it is known that in later Imperial
                     Chinese society, women were confined to
                     the home and were not encouraged to be
                     educated, during the late Ming dynasty,
                     against a background of social change and
                     economic prosperity, some women managed
                     to challenge these conventions. The advent
                     of the once nomadic Qing Dynasty, whose
                     women did not bind their feet, introduced
                     further elements of social change; the new
                     attitude towards female education can be
                     evinced from literary references, such as the
                     poetic exploits of Bao Yu’s lady companions
                     Lin Daiyu and Bao Chai in Dream of a Red
                     Chamber.

                     It is perhaps thus that, in the early Qing
                     Dynasty, we find a number of vases and
                     dishes decorated with ladies engaging in
                     the ‘Four Arts’, or other activities normally
                     reserved for men. Particularly similar to the
                     present vase is the painting on a dish sold
                     in these salerooms, 9 May 2016, lot 61. For
                     further examples of vases depicting ladies
                     engaging in the ‘Four Arts’, see The Tsui
                     Museum of Art: Chinese Ceramics IV, Qing
                     Dynasty, Hong Kong, 1995, no.93; M-C.Rey,
                     Les Très Riches Heures de la Cour de Chine,
                     Paris, 2006, no.35; and the Victoria and
                     Albert Museum, reference c.11246-1910.

                     A famille verte vase of similar subject and size
                     was sold in our New Bond Street Salerooms,
                     The Roy Davids Collection of Chinese
                     Ceramics, 6 November 2014, lot 54.

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