Page 15 - Fables volume 2
P. 15

butter  pretzels  upon  which  was  subsisting?  He  cast  about  his  tiny
        workroom  looking  for  a  cause.  It  was  winter,  and  he  kept  the
        windows, already painted black, tightly closed against snow and chill
        winds: could it be the ventilation? He found a way to get air into the
        shop without drastically lowering its temperature, and went back to
        work.  The  segments  of  the  hard,  banded  shell  were  in  place,  the
        vicious sickle-shaped third claw curved outward at precisely the right
        angle. The eyes, replaced by black marbles, were ready to be given
        expression  by  the  lids,  and  the  mouth,  with  its  dozens  of  teeth,
        needed but a final adjustment to be in place.
          But Tannenbaum’s symptoms did not abate with increased oxygen
        flow. Again he began a systematic search of his workspace for what
        was making him sick. This time he found it. He had purchased new
        bottles  of  arsenic,  carbon  tetrachloride,  methylene  chloride,
        perchloroethylene,  trichloroethylene  and  formaldehyde,  wanting  to
        avoid  any  possibility  of  contamination  or  lessening  of  efficacy  in
        these  preservative  fluids.  They  were  all  properly  stoppered—as
        highly-toxic volatile liquids needed to be. Behind them, on the same
        shelf but out of view, were the older, partially-empty containers. And
        three  of  them  were  not  sealed  tightly  enough.  Over  time  their
        escaped vapors had filled the atmosphere he was breathing, day and
        night.
          In a panic he consulted a volume dedicated to the diagnosis and
        treatment  of  chemical  exposure  and  poisoning,  cross-checking  his
        symptoms against the compounds he knew he had inhaled for almost
        a  month.  The  diagnosis:  irreversible  brain  damage,  followed  by
        dementia and death. The horror of his situation suddenly struck his
        addled  mind  as  ludicrous.  He  laughed  uncontrollably  for  several
        minutes,  mentally  unable  to  reconcile  his  immediate  fate  with  the
        imminent completion of his magnum opus. He would not survive to
        enjoy the  acclaim that was sure  to greet his rampant armadillo.  Its
        fate would be out of his hands: after going from estate sale to curio
        shop to online auction, it might finally be spotted and acquired by an
        aficionado  of  taxidermy,  one  of  the  big  East  Coast  collectors.  But
        they would have no idea of whose work it was; some unsung genius,
        they  would  suppose.  And  he,  Fausto  Tannenbaum,  would  remain
        obscure, forgotten.
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