Page 40 - Fujifilm Exposure_39 Stardust_ok

“Fujiʼs Vivid 160T is like no modern negative stock Iʼve used before - the colours rendered are electric! Amazingly though, all skin tones are left looking just so. Itʼs a photo-chemical revolution.”
DICK POPE BSC, Director of Photography, used 35mm
ETERNA Vivid 160T 8543 on Mike Leighʼs as yet Untitled Feature Film
"I chose Vivid 160T for Mistresses due to its superior sharpness, which on 16mm is a must, as well as for its unique higher contrast and edgier colour response in mixed lighting. It quickly became my 'work horse' stock and I ended up shooting 90% of the first two episodes on it. The Vivid 160T definitely had a key part to play increating a fresher look for a new drama series."
BALAZS BOLYGO, Director of Photography, used 16mm ETERNA Vivid 160T 8643 for Ecosse Filmsʼ Mistresses
"Having used Vivid a lot I know it to be a very forgiving
and fine grain stock. When grading there are endless possibilities and it gives the most beautiful tonal range.
It is not yesterday's stock updated, it is an exciting stock for tomorrow."
STUART HARRIS, Director of Photography, has used 16mm ETERNA Vivid 160T for numerous music promos including Cascadaʼs Truly, Madly, Deeply,
Ultrabeat V Darren Stylesʼ Sure Feels Good and Sergeyʼs Girlfriend
• Higher colour saturation with pure, vivid colour reproduction • Sharp and crisp images • Produces well-modulated images • Sensitivity E.I.160 • Incorporates Fujifilmʼs Nano-structured grain technology
FUJICOLOR VIVID160T 8543/8643 www.fujifilm.co.uk/motion