Page 203 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

190 The Apu Trilogy

6: ‘Who knows? Perhaps this was’ Ibid.: 26
6: ‘weeks of musing on its wonders’ Ray, ‘My life, my work’, pt 1
6: ‘an early example of Indian soft porn’ Ray, ‘I wish I could
have shown them to you’, Cinema Vision India, 1:1 (1980): 6
7: ‘Lillian Gish’ Ray, Our Films Th eir Films: 129
7: ‘a forbidden world … Verdi’ Ray, ‘My life, my work’, pt 1
8: ‘We laughed at Jack Hulbert’ Ray, Our Films Th eir Films:
143
9: ‘perpetually shrouded’ Ray, ‘Under western eyes’: 270
9: ‘at an age when the Bengali youth’ Ray, ‘My life, my work’,
pt 1
10: ‘Erudition is something which I singularly lack’ Ibid.
10: ‘My relationship with Shantiniketan’ Ray, ‘My life, my
work’, pt 2
12: ‘a nice fellow but a shockingly bad artist’ Letter to Norman
Clare, 22 May 1948
12: ‘Ray was a man of real integrity’ J. B. R. Nicholson: inter-
view with Andrew Robinson
12: ‘If you had really thought about what you were doing’
Interview with Andrew Robinson
13: ‘He interpreted the words in such a way’ Subrata Banerji,
Film World, Bombay, April–May 1971: 33
13: ‘The book filled me with admiration’ Ray, My Years with

Apu: 11
15: ‘One gets used to everything ultimately’ Interview with
Andrew Robinson
16: ‘although the top line [of the score]’ Letter to Norman Clare,
25 Aug. 1990
16: ‘I propose to have a room of my own’ Letter to Alex Aronson,
19 Sept. 1945
16: ‘not nearly as much comfort’ Letter to Norman Clare, 22
May 1948

17: ‘There was a long time’ Interview with Andrew Robinson
17: ‘Do not look down upon the addas’ Benoy Kumar Sarkar,
quoted by R. P. Gupta in Sunday, Calcutta, 5–11 Jan. 1986

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