Page 204 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

References 191

18: ‘I am taking the cinema more and more seriously’ Letter to
Norman Clare, 22 May 1948
18: ‘hieroglyphic notes’ Ray, Our Films Th eir Films: 49

18: ‘This was the film that fi rst’ Ray, My Years with Apu: 16
18: ‘The Gothic gloom of the fi lm’ Ray, Our Films Th eir Films: 6

19: ‘I never knew Indian music and dancing’ Letter to Norman
Clare, 22 May 1948

19: ‘The raw material of cinema’ Ray, Our Films Th eir Films: 24
20: ‘He was slightly critical of the way’ Interview with Folke
Isaksson, Sight and Sound, London, summer 1970: 115
20: ‘All we had to do was go to Nepal’ Interview with Andrew
Robinson
20: ‘like a pricked balloon … Hollywoodish’ Ray, ‘My life, my
work’, pt 3
21: ‘I think what Hollywood really needs’ Quoted in Ray, Our
Films Th eir Films: 114
21: ‘In America, they worry too much’ Ibid.: 118
21: ‘I think that subconsciously’ Interview with Bikram Singh,
Introspections: Satyajit Ray, India, 1991 (documentary fi lm)
21: ‘principal mentor’ Speech accepting the Legion of Honour,
Calcutta, 2 Feb. 1989
21: ‘Doubtless the management’ Ray, Our Films Th eir Films: 9
22: ‘It was a face-to-face confrontation’ Interview with Andrew
Robinson
22: ‘I had always thought the English in England’ Quoted in
Seton: 82
23: ‘I always knew Satyajit to be intelligent’ Interview with
Andrew Robinson
23: ‘deification … pressures’ Ray, Our Films Th eir Films: 211

23: ‘Lindsay was absolutely up in arms’ Interview with Andrew
Robinson
24: ‘I responded to Ford’ Ibid.
24: ‘gored’ Interview with Folke Isaksson, Sight and Sound,
London, summer 1970: 116
24: ‘I came out of the theatre’ Ray, ‘My life, my work’, pt 3

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