Page 208 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

References 195

67: ‘Suddenly I noticed this phenomenon’ Interview with
Andrew Robinson

67: ‘a fine, sincere piece of film-making’ Quoted in Ray, ‘Under
western eyes’: 269
67: ‘I recognised the footage’ Letter to Andrew Robinson, 19
June 1987
68: ‘a most remarkable film’ Letter, 20 Nov. 1954, quoted in

Chandak Sengoopta, ‘“The universal film for all of us, eve-

rywhere in the world”: Satyajit Ray’s Pather Panchali (1955)
and the shadow of Robert Flaherty’, Historical Journal of
Film, Radio and Television, 29 (2009): 290
68: ‘sort of hummed’ Interview with Andrew Robinson
68: ‘certainly a stroke of inspiration’ Foreword to Ray, Th e Apu
Trilogy: v
68: ‘Now let’s do a piece for such and such’ Interview with
Dhritiman Chatterji, Cinema Vision India, 1:4 (1980): 14
68: ‘hectic … with Ravi Shankar’ Ray’s sleeve-note for Ravi
Shankar, Music from Satyajit Ray’s Apu Trilogy, EMI (India),
1978 (LP recording)
69: ‘When we started recording, I kept signalling’ Interview
with Dhritiman Chatterji, Cinema Vision India, 1:4 (1980):
15

69: ‘Th e effort to catch’ Ray, ‘Under western eyes’: 269
69: ‘What turned out to be a real nightmare’ Ray, My Years with
Apu: 79–80
70: ‘It was then that I realised’ Quoted in Chandak Sengoopta,
‘Park Av. Panchali’, Outlook, New Delhi, 8 Dec. 2008:
71

71: ‘The audience was more interested’ Chidananda Dasgupta,
The Cinema of Satyajit Ray, 2nd edn, New Delhi: National

Book Trust, 2001: 41
71: ‘extremely discouraged … rapt attention.’ Interview with
Andrew Robinson
72: ‘All middle-aged and older men’ R. P. Gupta, Sunday,
Calcutta, 5–11 Jan. 1986

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