Page 212 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

References 199

140: ‘Being alone in these isolated places’ Banerji, Aparajito:
316

Chapter 8 From Calcutta to Cannes: The Reception
of the Apu Trilogy

148: ‘My emotions after seeing’ Bidyut Sarkar, The World of
Satyajit Ray, 2nd edn, New Delhi: UBSPD, 1993: 15
148: ‘preferably by myself’ Quoted in Bidyut Sarkar, Th e World
of Satyajit Ray, 2nd edn, New Delhi: UBSPD, 1993: 15
148: ‘I think Ed’ Letter to Marie Seton, 5 Nov. 1967
150: ‘The festival finished with a week’ Lindsay Anderson,

Observer, London, 13 May 1956
150: ‘Here is the discovery’ Lotte Eisner, ‘Cannes Film Festival
1956’, Salt Lake Post, Calcutta, 25 Aug. 2007: 33 (special
issue on Pather Panchali)
151: ‘The initial reaction was’ Interview with Andrew

Robinson
151: ‘squirming … “Leone d’Oro”.’ Ray, ‘Our festivals, their
festivals’
152: ‘But now I hope Ray will’ Penelope Houston: interview
with Andrew Robinson
152: ‘Now that I look back’ Dilys Powell, Sunday Times, 13 May
1956
152: ‘at a second look’ Ibid., 22 Dec. 1957
153: ‘I watched the audience surge’ Ray, ‘Under western eyes’:
271
154: ‘The entire conventional approach’ Quoted in Seton: 165

154: ‘The Indian fi lm, Pather Panchali’ Bosley Crowther, New
York Times, 23 Sept. 1958
156: ‘This is a picture of India’ Ibid., 28 Sept. 1958

156: ‘irresistible human appeal’ Ray, ‘The new cinema and I’,

Cinema Vision India, 1:3 (1980): 15
156: ‘perhaps the fi nest piece’ Time, 20 Oct. 1958
156: ‘a demonstration of what a man’ John McCarten, New
Yorker, 1 Nov. 1958

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