Page 210 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

References 197

84: ‘He made such sublime films’ Shankar: 125

84: ‘the best film he made’ Ibid.: 124–25
84: ‘Ray understood Indian classical music’ Interview with
Ranjan Dasgupta, Times of India, 16 March 2009
84: ‘Here was a director’ Interview with Ranjan Dasgupta, Th e
Hindu, 20 Feb. 2009
84: ‘We became known to each other’ Shankar: 121
85: ‘One of the first things that Ravi Shankar … over three

days.’ Ray’s sleeve-note for Ravi Shankar, Music from Satyajit
Ray’s Apu Trilogy, EMI (India), 1978 (LP recording)
87: ‘There is one scene in Apur Sansar’ Foreword to Ray, Th e Apu

Trilogy: vi

88: ‘This caused a problem for Ravi Shankar’ Ray, My Years with
Apu: 78
88: ‘In Aparajito, after Harihar’s death’ Interview with Cardullo,
in Cardullo (ed.): 188
88: ‘This was true – it was a hit-and-run affair’ Shankar: 125

89: ‘He is competent’ Shankar interview in Krupanidhi and
Srivastava (eds), Montage: unpaginated
89: ‘We had a slight misunderstanding’ Shankar: 125

89: ‘The average middle-class Bengali’ Interview with Dhritiman
Chatterji, Cinema Vision India, 1:4 (1980): 18
89: ‘but the challenge’ Ray, Bisay Chalachchitra: 67

Chapter 5 Pather Panchali: Critique

91: ‘I can never forget the excitement’ Eksan, Calcutta, autumn
1987: 226 (translation of remarks made in Moscow in 1975,
authenticated by Kurosawa in a letter to Andrew Robinson
in 1988)

91: ‘The best technique is the one’ Interview with Andrew
Robinson
92: ‘In the West, we are conditioned’ Wood: 7–8

92: ‘Where poetry is coextensive’ Sukumar Ray, ‘The spirit of
Rabindranath Tagore’, Quest, London, Oct. 1913: 56–57

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