Page 213 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

200 The Apu Trilogy

156: ‘I don’t know anyone who’ Arlene Croce, ‘Pather Panchali
and Aparajito’, Film Culture, New York, 19 (1959): 46,
50
156: ‘reviewer after reviewer … illusion’ Chandak Sengoopta,
‘ “The universal film for all of us, everywhere in the world”:

Satyajit Ray’s Pather Panchali (1955) and the shadow of
Robert Flaherty’, Historical Journal of Film, Radio and
Television, 29 (2009): 278, 285

157: ‘he is still a poet’ Arlene Croce, ‘The World of Apu’, Film
Culture, New York, 21 (1960): 64
157: ‘The connoisseur must feel’ Paul Beckley, New York Herald

Tribune, 5 Oct. 1960
157: ‘One of the great cinematic experiences’ Contribution by
Martin Scorsese on the occasion of Ray’s 70th birthday in
Nemai Ghosh, Satyajit Ray at 70, Brussels: Eiff el Editions,
1991: 116–17
158: ‘You won a prize at Cannes?’ Quoted in Ray, Our Films
Th eir Films: 139

158: ‘absolutely terrified by … as it has ever been.’ Letter to
Lester James Peries, 7 Dec. 1958

Chapter 9 Apu in the East and West: The Trilogy
and Ray Today

161: ‘I must admit I get rather restive’ Contribution by Arthur
C. Clarke on the occasion of Ray’s 70th birthday in Nemai
Ghosh, Satyajit Ray at 70, Brussels: Eiffel Editions, 1991: 90

161: ‘There’s no question that Pather Panchali’ Interview with
Andrew Robinson
162: ‘What does Ray portray in the Apu Trilogy’ Probe India,
Oct. 1980
164: ‘this holy cow’ Ibid.
164: ‘The Modern India you speak of’ Ibid.

164: ‘a very dangerous, very vicious’ Interview with Andrew
Robinson
165: ‘In a way, they mirror the fact’ Times of India, 4 May 2009

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