Page 209 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

196 The Apu Trilogy

72: ‘I am on the verge of a new venture’ Letter to Gerson da
Cunha, Feb. 1956, in Krupanidhi and Srivastava (eds),
Montage: unpaginated
73: ‘smooth, page-turning professionalism’ Arlene Croce,
‘Pather Panchali and Aparajito’, Film Culture, New York, 19
(1959): 48

73: ‘That is a very shrewd comment’ Interview with Andrew
Robinson
73: ‘It is always a problem with this kind of film … after a cer-

tain point’ Ibid.
74: ‘I was absolutely overwhelmed’ Banerji interview in
Krupanidhi and Srivastava (eds), Montage: unpaginated
74: ‘1 March 1956 – Set out at 5 a.m.’ Ray, Our Films Th eir Films:
25–26
75: ‘Besides its truthful character’ Mitra interview in Krupanidhi
and Srivastava (eds), Montage: unpaginated
78: ‘We were to a great extent Apus of our time’ Interview with
Andrew Robinson
78: ‘We made her wear a sari’ Interview with Andrew
Robinson
78: ‘Manikda is a tremendous actor’ Interview with Andrew
Robinson
78: ‘I thought I could hardly expect him’ Ray, My Years with
Apu: 132
79: ‘As soon as I decided to do Aparajito’ Interview with Andrew
Robinson

79: ‘The river was just right’ Ray, My Years with Apu: 136

80: ‘The scene was going well’ Ibid.: 142–43
Chapter 4 Working with Ravi Shankar: The Music
of the Apu Trilogy

83: ‘In the last couple of days’ Shankar’s sleeve-note for his
Farewell, My Friend…, HMV (India), 1992 (audio-cassette
recording)

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