Page 211 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

198 The Apu Trilogy

93: ‘the very slow introductory movement’ Shankar: 318
100: ‘Not to have seen the cinema of Ray’ Eksan, Calcutta,
autumn 1987: 226 (translation of remarks made in Moscow
in 1975, authenticated by Kurosawa in a letter to Andrew
Robinson in 1988)
105: ‘lost in thought’ Banerji, Pather Panchali: 297
107: ‘It’s very complicated’ Interview with Andrew Robinson
107: ‘I have a feeling that the really crucial moments’ Ibid.

Chapter 6 Aparajito: Critique

109: ‘In Aparajito, Ray’s unorthodox approach’ Mrinal Sen,

‘The time of the prologue is eternity’, Sunday Statesman,
Calcutta, 6 Nov. 1983
111: ‘A train rumbles across a bridge’ Ray, The Apu Trilogy: 61

115: ‘A small action – which speaks volumes’ Chakraborty:
290

116: ‘a dewdrop that reflects’ Interview with Folke Isaksson,
Sight and Sound, London, summer 1970: 120
117: ‘It is a nucleus’ E. M. Forster, ‘Pan’, Abinger Harvest,
London: Edward Arnold, 1936: 311
117: ‘a spontaneous burst of applause’ Ray, ‘Our festivals, their
festivals’
120: ‘I hate conventional time lapses’ Interview with Hugh
Grey, Film Quarterly, Berkeley, winter 1958: 7

124: ‘Goodness knows how many films’ Ray, ‘My life, my work’,
pt 4

Chapter 7 The World of Apu: Critique

127: ‘What happens to Apu now?’ Quoted in Ray, My Years
with Apu: 119
128: ‘surely one of the most moving films’ Wood: 61

135: ‘one of the cinema’s classic affirmative depictions’ Ibid.: 72

138: ‘The fact of the death of the wife’ Interview with Andrew

Robinson

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