Page 207 - The Apu Trilogy_ Satyajit Ray and the Making of an Epic

194 The Apu Trilogy

51: ‘She was constantly aware’ Ray, Bisay Chalachchitra: 103
52: ‘I think this feat brought me’ Ray, My Years with Apu: 66
52: ‘Satyajit seemed a different person’ Subrata Banerji, Film

World, Bombay, April–May 1971: 34

53: ‘Th e film people are ’ere …good this year.’ Ray, Bisay
Chalachchitra: 104–05
56: ‘Mercifully, there were no jurors’ Ray, ‘Our festivals, their
festivals’
56: ‘10 a.m.–12 noon’ Mrinal Sen, Views on Cinema, Calcutta:
Ishan, 1977: 4
56: ‘and wondered each time’ Ray, Our Films Th eir Films: 180
56: ‘landmark’ Message of appreciation of Bimal Roy on the
occasion of a retrospective screening of Roy’s fi lms, Calcutta,
Nov. 1986
57: ‘completely apathetic’ Letter to Marie Seton, 28 Nov. 1955

57: ‘The rushes told us that’ Interview with Andrew Robinson
58: ‘their power and atmosphere’ Ibid.
58: ‘He felt it was very high quality’ Ibid.

58: ‘Do you think you could let us have this film’ Ray, ‘Under
western eyes’: 269
59: ‘Can’t you inject a message’ Quoted in Ray, My Years with
Apu: 60
59: ‘My impression is that even when exploited’ Quoted in
Seton: 96

60: ‘They get the money but’ Quoted in Seton: 96
60: ‘It was very unpleasant ... which we didn’t know at the time.’
Interview with Andrew Robinson
64: ‘Today we will carry you out’ Ray, Bisay Chalachchitra: 103
64: ‘Don’t be afraid to distort your face’ Interview with Andrew
Robinson
64: ‘special, heightened quality’ Interview with Dhritiman
Chatterji, Cinema Vision India, 1:4 (1980): 15
65: ‘Within seconds, the camera was set up’ Quoted in Firoze
Rangoonwalla, Satyajit Ray’s Art, New Delhi: Clarion,
1980: 125

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