Page 45 - ION Indie Magazine MayJune 2021
P. 45

MW:  How  did  you  get  involved  with  K.O.G.  &  The  Zongo
                  Brigade?

                  FV: I met Kweku (K.O.G) through the gig circuit in Sheffield around
                  2008.  We  were  both  playing  with  different  bands  at  the  time.
                  Around 2013, we met up, coincidentally at a jam session, and he
                  told me about this idea for his new band and asked if I'd be up for
                  fronting it with him. It's been a mad crazy journey since.

                  MW: What have you been working on since your 2018 release
                  ‘Escapism?’

                  FV: Since the 2018 release of ‘Escapism,’ I've been busy gigging
                  around the UK playing some solo gigs, some with my live hip hop
                  jazz fuelled band, but mostly touring around Europe with K.O.G &
                  The Zongo Brigade. I started working on my next project around
                  the beginning of 2019, but it was a slow process due to being so
                  busy touring. I've managed to use all this lockdown time to really
                  focus and get into reflecting and writing for this new project. It's a
                  6-track  EP  titled  'PEOPLE  DI  POWA.’  The  EP  features  artists
                  Nicola  Newman,  K.O.G,  Mark  Stoney,  Cortney  Dixon,  James
                  Atasharoo,  Producers  Tom  Excell,  Lucian  Oniell  (The  Colonel)
                  based in Manchester, Labo Klandestino based in Marseille, Toni
                  Smoke based in Scotland, and Chris Malpass (Cyber Ninja) based
                  in Cambodia. I've used this EP to focus on issues around power.
                  It's an attempt to address the systemic oppression that a lot of us
                  experience and how it can lead to a sense of disempowerment.
                  The  EP  touches  on  the  way  we  are  governed,  the  power
                  imbalances in society, and the different types of power that we can
                  access.  For  example,  spiritual,  political,  economic,  and  mental
                  power. The sound is very energetic and hopeful. I want the listener
                  to feel a strong sense of empowerment. It's a reminder that we are
                  powerful  as  individuals  but  more  so  as  a  community;  as  a
                  collective.







                “I want the listener to feel a strong sense of empowerment.”
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