Page 56 - ION Indie Magazine JULYAUG 2024
P. 56

Performing Rights Organizations ISWC Codes (International Standard Work Code)

          Although you’ve now gone the distance by adding copyright to your song(s), you still

          need to join a PRO like ASCAP (American Society of Authors and Publishers), BMI, or
          SOCAN,  for  instance.  By  registering  your  songs  with  the  PROs,  you  gain  another
          identifier code related to the performance and publishing of your song creations.


          Unlike  the  copyright,  where  you  can  register  and  obtain  multiple  ISRC  codes
          (International Standard Recording Code), you only get one ISWC code for the life of the
          song creation, no matter how many versions of the track you record, mix, and release.

          They  are  all  derivatives  of  the  original  song  creation,  complying  with  international
          copyright law. The basis of this is to give one song one code for the life of the creator
          and 70 years after the creator he/she /they have passed.


          THE MONOPOLIES of MUSIC: These groups have tricky language like “non-exclusive,”
          “reciprocal,” and “exclusivity,” all in one sentence. What does that even mean?




            One point of contention needs to be addressed
          by the PROs, and I invite President/Chairman of

          the  Board  of  ASCAP,  Mr.  Paul  Williams,  to
          address the language found in the membership
          registration regarding the “non-exclusive” portion

          of  the  agreement.  PROs  have  reciprocal
          agreements  with  other  CMOs  (Collective
          Management  Organizations),  who  change  the

          original agreement to include exclusivity clauses
          which makes the CMO the new owner of a song
          by separating the creator from the creation and

          their ownership of the SR (Sound Recording). In
          2021,  the  notoriously  unregulated  CMO
          COMPASS in Singapore took other broadcasters

          to copyright court over non-payment and literally
          represented the songs as though they were the
          ones  being  infringed,  not  the  original  creators.

          The PROs should change the language or offer
          free  legal  advice  (interpretation)  of  the  legal
          terms  utilized,  as  song  creators  are  not  legal

          minded and there are no declarations to obtain
          legal advice prior to signing with a PRO.
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