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LL: You started your first band at 40 years old. How did your first band and being a
     bandleader come about?

     PT: I started playing publicly at the Tic Toc Lounge in the city of Springfield, Massachusetts when I
     was 30.  They had a Thursday night blues open mic, run by the owner’s son Jimmy who played

     drums.  Everybody there, both the players and the audience, were supportive and we all became
     like one big family.  There was a lot of talent there and I was lucky that the guitarists took me
     under their wings and gave me tips on my playing and how to direct them so that things ran
     smoothly on stage.  It really helped that I played rhythm guitar and could set the tempo and feel of
     the songs, plus I wasn’t competing with anybody for solos.  Eventually, I started playing some of
     my own compositions there and we recorded a night of playing there.  It was independently
     released as “Patty Tuite and Friends – Live at the Tic Toc.”  I really thought I’d hit the big-time
     then!  I tried sending copies to record companies, but with no connections and no name in the
     industry, I couldn’t get their attention.  So, I focused on creating a band, and I put one together

     when I was 40.  I just love the musical community in the area, there are so many gifted musicians
     to play with!

     LL: Let’s talk about your latest release “Consider This”. Can you tell us about making this
     album with your producer Paul Nelson?

                                                 PT: “Consider This” is a culmination of all the time I’ve
                                                    spent learning about music and playing in bands.  I met
                                                     my now-husband at a local show and when we were
             Paul Nelson
                                                     dating, he invited me to see a Paul Nelson show in 2018.
                                                     They go back several years.  We were invited to attend a
                                                    week-long festival in Jamaica in early 2019, which was
                                                     called the “Johnny Winterfest” including players who
                                                          were associated with Johnny Winter.  Paul was the
                                                            musical director and there were a few occasions
                                                              where I was allowed to sing and play with the
                                                                 house band.   We attended another Winterfest
                                                                  in Jamaica in 2020 where Paul was once

                                                                    again the musical director.  The festivals
                                                                    were great for getting to know some
                                                                    fabulous musicians including those in
                                                                    Paul’s band.  They are all approachable and
                                                                down-to-earth! From there we started talking
                                                                about making a recording of my new originals.
                                                               Paul was in the process of creating a new

                                                            entertainment venue and recording studio called
     “The Music Room” in West Yarmouth on Cape Cod, Massachusetts.  In December of 2020 we went
     there and laid down the tracks to “Consider This” as his first artist recording in the Music Room.

     As for the studio experience and working with Paul, my eyes got opened to what it’s like to work
     with a true industry professional!  Right from the start, we both saw the vision of how good these
     songs could sound.  Instead of recording live and then dubbing over and editing mistakes, like
     previous experiences, we built the songs from the ground up in layers.  His excellent suggestions
     during his production really enhanced the sound of the recording.  We started with the rhythm

     section then added my guitar and vocals.  This was followed by keyboards and lead instruments
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