Page 190 - The Track Of The Jew Through The Ages - Alfred Rosenberg
P. 190

The Track of the Jew through the Ages


        master their instrument with the greatest bravura, actors play their
        roles with great bombast, Jewish theatre directors master the
        theatrical technique with a refinement that is hard to beat. But then
        again, all these Jewish prodigies, all these virtuosos, have they
        become creative artists? They have tried to constrain quality through
        quantity and to make art with all the means operating on the senses.
                                                                408
        Mahler imagined as his ideal a thousand-piece orchestra,
                409
        Reinhardt  opened a theatre circus with hundreds and hundreds of
        performers. Everything had to be brought forth to overwhelm the
        public. At a deeper level then other people worked at their operettas
        and "hits", on the edition of sensational novels, and so on ad
        infinitum.
               One artist I have not yet mentioned and his name may have
        gone through the mind of many, Heinrich Heine.  410  Heine was
        admittedly one of the cleverest of Jews who, thanks to his
        "Hellenistic intellectual orientation", had to be qualified as no other
        to do justice to the European soul. But, what I said in general, that it
        is the external that alone can be understood and on which alone
        emphasis is placed, that becomes clear to us in a symbolical manner
        equally in Heine.
               Apart from the Buck der Lieder his works may well have
        fallen into oblivion, but it would be good to consider them seriously
        for once; not to derive pleasure, but to observe how European and
        specifically Jewish feeling and thought were reflected in the mind
        of a talented Jew, who, born in the joyful Rhineland, absorbed
        German fairy-tales and sagas with his mother's milk.
        408
          [Gustav Mahler (1860-1911) was a German Jewish late Romantic musician
        whose Eighth Symphony was first performed in Munich as the "Symphony of the
        Thousand" on account of its vast instrumental and choral forces.]
        409
          [Max Reinhardt (ne Maximilian Goldmann) (1 873-1 943) was an Austrian Jewish
        theatre director who was very active in Germany and Austria before he was forced
        to emigrate to America in 1937. In 191 9 he opened a large theatre in the renovated
        Schumann Circus in Berlin which began to be called the Reinhardt Circus.]
        4,0
          [Heinrich Heine (1 797-1 856) was a German Jewish poet and literary critic many
        of whose poems were set to music by Mendelssohn, Schumann and Schubert. In
        1 83 1 , after the July Revolution of 1 830, he moved to France, where he, along with
        Ludwig Borne, formed the nucleus of the revolutionary literary movement called
        "Junges Deutschland" (Young German} ).
                                                               167
   185   186   187   188   189   190   191   192   193   194   195