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ALBUM

          REVIEWS



          CLASSICAL                                      COMPACT DISC  SUPERAUDIO  DVD  BLU-RAY   VINYL   DOWNLOAD



                                                                   HALLÉ ORCHESTRA/SIR MARK ELDER
                                                                   Debussy: Images; Prélude à l’après-midi d’un faune;
                                                                   La plus que lente, etc
                                                                   Hallé CDHLL7554 (downloads to 44.1kHz/24-bit resolution)
                                                                   A fine addition to the Hallé Debussy series

                                                                   where, for me, the standout tracks are the
                                                                   composer’s atypical transcription including
                                                                   cymbalom, La Plus Que Lente, and with fl autist
                                                                   Katherine Baker, L’Aprés-midi – one of the most
                                                                   satisfying accounts we have had on records.
                                                                   There is also a bonus item: Colin Matthews’
                                                                   orchestration of the Image for piano ‘Et la lune

                                                                   decend…’. The five movements making up
                                                                   the orchestral set were well done by the San
                                                                   Francisco Symphony in the 2016 Tilson Thomas
                                                                   remake, but the British players have the edge,
                                                                   and there’s more warmth and depth in Sir
                                                                   Mark Elder’s interpretation, with a winningly
                                                                   colourful evocation of Spain in ‘Iberia’. CB

                                                                   Sound Quality: 90%
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         AKADEMIE FÜR ALTE MUSIK BERLIN/    SINFONIA OF LONDON/JOHN WILSON      CLEVELAND ORCHESTRA/FRANZ
         BERNHARD FORCK                     Respighi: Fontani di Roma, Pini di Roma,   WELSER-MÖST
         Beethoven: Symphonies Nos 1 & 2; CPE Bach:   Feste Romane              Schubert: Symphony No 9/Krenek: Static and Ecstatic
         Symphonies Wq175 & 183/4           Chandos CHSA5261 (SACD; downloads to 96kHz/24-bit resolution)  Cleveland Orchestra TCO0002 (downloads to 48kHz/24-bit res)
         Harmonia Mundi HMM902420 (downloads to 96kHz/24-bit res)  Key recordings of Fountains/Pines date   A Paul Sacher commission, Static and
         The two early Beethoven Symphonies   back to Toscanini and the NBC, with   Ecstatic by the serial composer Ernst
         here are each prefaced by short three-  Reiner’s and Karajan’s in the stereo era.   Krenek was written for chamber orchestra
         movement ones by CPE Bach, which   Aptly recorded in the generous acoustic   with piano and a large assortment of
         prove far less conventional and extremely   of St Augustine’s, Kilburn, John Wilson’s   percussion instruments popping up across
         adventurous (for which they were disliked   coupling – prefaced by the blockbuster   the soundstage. It has ten short movements
         by Frederick the Great, to whom Bach’s   Feste Romane – is another Sinfonia winner.   (19½m overall) and ends like a kick in the
         son was in service). Beautifully balanced by   It’s the quiet playing that impresses most.   teeth with barely a pause before the utterly
         the engineers in this Sept ’18 Teldex Studio   In the most beautiful Pines movement, ‘I   poised horn solo in Schubert’s ‘Great C
         production, Forck’s measured accounts   pini del Gianicolo’ the recording used for   major’. Both pieces were recorded live with
         of the Beethoven place them fi rmly in   the nightingale is unusually distant (a minor  a minimal Severance Hall audience just as
         ‘classical’ territory, ie, they don’t suggest a   disappointment?) and the clarinettist really   the pandemic limitations began in March.
         new musical force emerging, but they are   deserved a credit. The following trudge of   An odd but repeatable coupling: my one
         wholly engaging and satisfying and utterly   the Roman soldiers sets the pulse racing…    reservation is that the Schubert Scherzo
         free of eccentricities. CB         Well researched booklet notes too. CB  has one or two quirky underlinings. CB
         Sound Quality: 90%                 Sound Quality: 90%                  Sound Quality: 85%
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