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Example of Specific Objectives in Current    Example of Specific Objectives in Proposed
                         Syllabus Option B, Section 2                 Syllabus Option B, Section 2

                5.  create  performance  items  incorporating  5.  create  performance  items  incorporating
                    new media technologies;                      technology; and,

                6.  discuss the impact of dance in society on the  6.  evaluate  own  work  and  the  work  of  their
                    economy and history/culture;                 peers.

                7.  analyse choreography as a profession;        Deleted

                8.  explore  the  relationship  between  the     Deleted
                    dancemaking  process  and  other  sectors,
                    subjects or industries;

                9.  evaluate  own  work  and  the  work  of  their   Deleted
                    peers;

                10. demonstrate traditional folk dance through   Deleted
                    the  use  of  caribbean  cultural  forms  and
                    styles; and,

                11. use various forms and styles to create work.    Deleted


               16.     When  asked  if  there  were  topics  in  the  syllabus  that  should  be  removed  or  added,  one
               participant  indicated,  yes.  The  respondent  suggested  that  the  History of Theatre or  the  Types of
               Theatre  in  other  Societies  should  be  added  to  the  syllabus.  This  suggestion  elicited  an  extensive
               discussion among Panel members who eventually determined that the inclusion of Theatre History
               would be outside of the scope of this syllabus. The Panel also agreed that Theatre History should
               remain the focus of the Drama option in CAPE® Performing Arts. On the other hand, the Panel felt that
               Section 3 of Option C, Stagecraft, needed to be enriched with the inclusion of a new topic, Sound. The
               Panel rationalised this inclusion by highlighting that Sound is one of the critical elements of technical
               theatre  that  Stagecraft  students  should  have  the  option  of  exploring.  Consequently,  the  title  for
               Section 3 now reads, Costume or Set or Lighting or Sound.

               17.     All of the respondents agreed that the knowledge and skills covered in the syllabus were
               appropriate for students at the secondary level.  Of the 12 participants who responded to whether
               the School-Based Assessment (SBA) requirements for the syllabus should remain as they were, six
               indicated no. Two participants suggested that the word limit for the SBA should be increased. The
               Assistant Registrar/SCD reminded the Panel that they must be guided by the Council’s SBA policy
               which stipulates that the word limit for CSEC® is 1,000 words. Another respondent suggested that the
               Creativity (CREA) component of the Research Paper and the associated Mark Scheme be clarified. In
               light of this response, the Panel decided to clearly define in the syllabus what is considered a creative
               response so as to better guide teachers and students.

               18.     Respondents  were  asked  to  make  additional  suggestions  for  the  Panel  to  consider.  One
               respondent  suggested  that  integration  opportunities  should  be  highlighted  in  the  syllabus;  for
               example, students studying plays and poems in CSEC® English B could apply dramatic strategies to
               gain a better understanding of the text. The Panel reviewed the suggestion and agreed that this could
               be captured as a Suggested Teaching and Learning Activity. Another respondent suggested that the
               syllabus should present a sample of a Critique and Research Paper. The Assistant Registrar/EDPD, in


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