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SECTION 1: MUSIC HISTORY AND THEORY (cont’d)
4. Musical Forms
(a) Gregorian chant.
(b) Motet.
(c) Chorale.
(d) Sonata.
(e) Concerto.
(f) Rondo.
(g) Oratorio.
(h) Opera.
(i) Tone poem.
(j) Serial music.
(k) Musical theatre.
(l) Popular/contemporary songs.
Emphasis must be placed on significant composers and compositions.
5. Assessing Written Viewpoints
(a) Eduard Hanslick.
(b) Adolf Bernhard Marx.
(c) Absolute music.
(d) Program music.
6. Rationale and Development of Musical Tastes
Information derived from select compositions, composers, musical forms, and philosophical
trends.
CXC 31/G/SYLL 17 13
