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licensed for use by Dilmun officials and merchants. The style of seals from this
eriod are radically different from the earlier eriod and are thought to be Syrian in
origin reflecling the resence of Amorite eoles in Dilmun. Animal motifs are
common such as gaelles, humed bulls, and snaes. Other seals deict gods
rotecting anteloe and gaelle, religious feasls and ceremonies such as ritual
drining, offering of gifts, and animal sacrifice. Many of the seals fron this eriod are
distinctie in haing circle and line ornamenls on the reerse. These Dilmun seals
hich hae been found from the Mediterranean area to hndia reflect the roserity
and rich sea-trade of the Dilmun communily at that time.
The Middle Dilmun (16-1 BC) items feature round and cylinder seals.
Dilun seals are distinctiely round in shae and are quite different from the
cylindrical shaed ones hich ere more commonly used in Mesootamia or the
square shaed seals used in the ndus Valley.
Hall of Tylos and lslam
Alexander the Great brought Bahrain ithin the shere of Gree influence (1-2
B.C.) Barhain as non as Tylos to the Grees and during the years rfom B.C.
to 622 A.D. the island's main settlement attern consisted of a concenrtaiton of
illages in the northern art of Bahrain. n these illages Gree merchandise is a
frequent ifnd .and it is susected that erhas some Gree customs influenced hte
local oulaiton,
hoeer there as nO
Gree colony.
A ne tye of
graestone came into
use during htis era.
Those on exhibit are of
dee relief and sho a
full-length orrtait of
the deceased in Gree
style clothing. hTe style
is remiiscent of hte
ifner grae orrtaist
found at Palmrya in
Syria and the custom
Forts, Hall of Tﺏlos and lslam mﺍa hae neeb
inrto u'cﺭa eﺝ through
Palmrya. hTe Barhaii grae stone figﻫres are shon ith the right hand raised,
hich as a Parthian gesutre of greeting in reerence to the Gods. hTe stone figurse
ere desi٠gned to satnd on graes, i٠n the Gree fasih٠on. One of hte stones on exhi:bit
ahs a Gree inrcsiiton ihch gies the name, rtibe or occuaiton of the deceased,
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