Page 575 - Chinese SIlver By Adrien Von Ferscht
P. 575

PAO CHENG [aka: PO CHENG; PC]
            Hong Kong & Qīngdǎo [Tsingtau]
            circa 1860-1947+











































            Tsingtau was the historic name of Qingdao - a coastal port in Shandong Province.

            Between 1898-1914, Qingdao was a German concession and then came under Japanese occupation until 1922,
            when it was returned to Chinese rule.

            The makers’ marks bearing PC90 or PC STERLING and a Chinese character mark are usually the Hong Kong
            mark





                                                              Pau  Cheng  is  an  interesting  silversmith  to  research.
                                                              Firstly,  the  earlier  work  often  includes  Western
                                                              classical forms and truly can look as if they had never
                                                              been  anywhere  near  a  Chinese  silversmith’s  bench.
                                                              Secondly,  the  items  made  in  Hong  Kong  and  those
                                                              made  in  Tsingtao  tend  to  differ  in  style,  occasionally
                                                              greatly - so much so that some of Tsingtao items are
                                                              difficult  to  distinguish  whether  they  are  Japanese  or
                                                              Chinese.
                                                              This circular box decorated with irises could easily be
                                                              mistaken  for  a  Meiji  piece.  But  then  we  see  that
                                                              Tsingtao was at one time under Japanese occupation.
                                                              Whether  this  is  a  clue,  more  research  needs  to  be
                                                              carried out, but high quality was something that was
                                                              always present in Pau Cheng pieces.
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