Page 347 - Chinese Porcelain Vol I, Galland
P. 347

PAINTED IN COLOURS OVER THE GLAZE.                  199

          Here we have famille rose, eggshell,  and enamelled china,
      three sections  represented  in one  piece.
          This section  may  be indicated  by calling  it "enamelled
      rose," the white  porcelain being entirely  hid  by  the  painting.
          No. 341. A conical fish-bowl.  Height, 16f  inches  ; diam-
       eter, 18 inches.  No mark.  Made of biscuit-coloured ware, as
       shown at the base.  At  top,  a narrow bevelled  flange  covered
       with  diaper-work,  below which there  is a scroll border in  light
                         and blue, which are the chief colours used
       green, yellow, pink,
                    The      of the bowl  is divided into sixteen
       throughout.      body
                                                      and
       stave-shaped compartments,  dark blue, yellow, pink,  green
       repeated  four times.  On these are thrown  pseonies, chrysan-
       themums, and other flowers in  pink, white, red, and mauve,
       with  magnolias  at back.  At the  top  of each fourth, or blue,
       stave there is a  butterfly  ; at foot, on a  green ground,  a band of
                                     and
       lotus-work in white, pink, yellow,            Inside, the
                                          pea-green.
       white       is covered with      red          and
             glaze                 large     gold-fish    green
                    This  is a late     and      be described as
       water-plants.              piece,    may
       "
        enamelled       with rose."  The absence of white
                  pseony                               porcelain
                                                   "          '
       ground  seems to necessitate  putting  it into the  enamelled
       class, in decoration  it  is  "  pseony chrysanthemum,"  while in
                    "
       colouring  it is  rose."
                          Mandarin China.
          Of  this  it  may  be  said,  "  Je  suis comme  je  parais  " —
       it makes no  pretence  of  belonging  to  the  Ming  period.
                        the name                    to
       Strictly speaking,         is  applicable only  porcelain
       decorated with  figures  clothed in what  is called "mandarin
             '
       dress  ;  but  is now often used as a  general term, including
       as such the various  descriptions  which were  produced  about
       the same time and decorated in much the same  way  as that on
       which the               occur.
                 figures actually
          The Chinese nobles and  gentlemen  whom we have hitherto
       seen in            robes held at the waist  a       with
              long flowing                      by   girdle,
       their hair turned  up upon  the head under a soft  covering,  or
       it  may be, court head-dress, in this class  appear  with shaven
       head and  pig-tail,  their Tartar  conquerors having  decreed
       that, as a  symbol  of  subjection,  all China must  adopt  this
       Tartar  custom, and  don  the  so-called  "  mandarin  dress  '
       described hereafter.
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