Page 378 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 378

Veloz, Ruff,  and Chase (i987) performed tests to evaluate the effectiveness  of walnut shells
          and glass-bead  peening to clean both cast and polished surfaces. The glass beads, as well as other
          hard  abrasives,  severely  deformed the surface  on a microscopic level. This  finding  was  con­
          firmed  by Barbour and Lie (i987), who evaluated the effectiveness  of three different plastic blast­
          ing media compared with walnut shells, powdered sodium bicarbonate,  and glass beads. They
          found that using glass beads at both 25 psig and 80 psig left substantial imprints, cratering, and
          deformation on polished, work-hardened bronze coupons and on corroded copper sheeting. No
          alteration was  found  with  two of the  three  plastic media or with walnut shells. Ground wal­
          nut shells and sodium bicarbonate had no effect on the surface  finish  of the bronze, and the mix­
          ture removed virtually all accumulated dirt, grime, and loosely attached  corrosion products. A
          weight loss of 2 mg/cm  occurred following a moderate  use  of glass-bead  peening, but no dis­
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          cernible weight loss or surface  change followed the use of walnut-shell peening. Although Weil
          and  colleagues  claimed that  glass-bead  peening reduced  the corrosion rate of outdoor  bronze
          sculpture (Weil et al. 1982), laboratory evaluation by Barbour and Lie indicated that the rate of
          atmospheric corrosion may actually be increased  after this treatment.
              Barbour and Lie also found that a number of variables control the effectiveness  of cleaning
          corroded bronzes with crushed walnut shells. For example, smaller particles were more  efficient
          than larger particles — 60/200 mesh walnut shells gave good results — and the ratio of total mass
          of air to abrasive is very significant. In practical application, the effectiveness  of the cleaning
          was improved by using a larger nozzle with  decreased pressure. Veloz, Ruff,  and Chase  (i987)
          used a 0.8 cm ( /i6 in.) nozzle at 20 psi in contrast to a 0.4  ( %i  in.) nozzle at 40 psi. The most effec­
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          tive angle of impact was within 20 degrees of perpendicular to the  surface  being cleaned, and
          the results obtained were judged to be quite satisfactory.
                                 I  WATER  BLASTING  Another recent  development in mechani­
          cal cleaning, especially for outdoor bronzes, zinc sculpture, and marine finds, is water blasting,
          using either medium-high-pressure  (MPH) water at about 1000-7000 psi or ultra-high-pressure
          (UHP) water at around 30,000 psi. The UHP method was used by Lins  (1992) in 1987 for the con­
          servation treatment of the  10.67 m (35 ft.) tall bronze  sculpture of William  Penn by Alexander
          Milne  Calder  that is on the top of City  Hall Tower in Philadelphia. The  equipment for  UHP
          spraying is capable of directing rotating jets of water through a series of nozzles about  0.5 mm
          in  diameter  at velocities of up to 670.56 m (2,220  ft.) per second,  more than  twice the speed
          of sound. The apparatus used to clean the Penn monument could produce a water pressure of
          32,000 psi, but because of the height of the sculpture, a pressure of about 29,000 psi was more
          practical. Lins  (1992) concluded that this water-blasting method was more effective in remov­
          ing  corrosion products  from  a pitted  surface  than  other  methods,  and it did so without any
          significant  damage to the metallic bronze  substrate.  Considerable  safety  precautions  must be
          taken when using the  UHP  procedure  because of the very high water velocities used. As with
          any  mechanical  cleaning method, the skill  and experience  of the  operator  is of paramount



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