Page 381 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 381

although the reaction is slow. The solid products, confirmed by X-ray diffraction,  are cuprite and
          paratacamite  (clinoatacamite).  With  sodium  sesquicarbonate,  the  OH" ion  concentration  is
          higher than in water  alone,  and the following reaction  occurs:
                                 2CuCl  +  OH" =  Cu 2 0  +  2C1" +  H  +         12.2

          As a result, there may be some cuprite formation as well  as dissolution of cuprous  chloride.
              Treating bronzes with carbonate solutions  has  resulted in some interesting chemical prob­
          lems. Horie and Vint  (1982) drew attention to the formation of chalconatronite  as an alteration
          product  resulting from  treatment.  They had  found chalconatronite  crystals  on Roman  copper
          and iron armor  from  an excavated  site in Chester, England, and attributed its formation to  the
          conservation work done many years earlier when the metalwork had been treated with  sodium
          sesquicarbonate. The researchers noted that in the laboratory, sodium copper carbonate (chal­
          conatronite)  can  be  prepared  by  precipitating  the  crystals  from  a  concentrated  solution of
          sodium carbonate containing bicarbonate  and copper ions.
              Earlier, chalconatronite  had been reported  as a bluish green, chalky crust within the hollow
          interior of an Egyptian bronze  figurine of the deity Sekmet in the Fogg Museum of Art;  on an
          Egyptian bronze group of a cat and kittens in the Gulbenkian Collection, Lisbon; and on a Cop­
          tic censer in the  Freer Gallery of Art  (Gettens and  Frondel  1955). Chalconatronite  was  subse­
          quently identified on a copper pin from  St. Mark's Basilica in Venice (Staffeldt and Paleni 1978).

          Localized                In  the treatment  of some bronzes, localized cleaning of parts of
          chemical treatments       a surface may be necessary. Often this is directed at the removal
                                   of chlorides in an attempt to improve the stability of the  bronze.
          For example, Organ  (196i) quotes Nichols, who attempted  the local stabilization of copper chlo­
          rides in pitting corrosion  at the British Museum in 1924. Nichols had used a dilute solution of
          silver nitrate to immobilize the chlorides  as silver salts. Organ improved on this method by rub­
          bing a paste of silver oxide and ethanol into the corrosion pit and allowing the  silver chloride
          that formed to plug it. Sharma, Shankar Lai, and Nair (1995), however, reported  several  failures
          with the silver oxide paste on bronzes with severe chloride corrosion. They suggested that a pos­
          sible detrimental  aspect of the  silver chloride paste is that this compound  acts as both an elec­
          tronic and an electrolytic conductor,  resulting in the seal being only partially protective. These
          investigators  then studied the  efficacy of using zinc dust instead of silver oxide. After removing
          the  copper  trihydroxychloride eruptions,  they  applied  zinc  dust  moistened  with  aqueous
          ethanol  (1:10 v/v) to the excavated  pits with a small artist's brush. To ensure good contact  with
          the nantokite  (CuCl) and the excavated  edges, the moist zinc dust was depressed with the tip of
          a  scalpel. The  treated  spots were  then  moistened  with  aqueous ethanol  at  one-hour  intervals
          ten to twelve times per  day for the next three days. A relatively tough seal of gray zinc reaction





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