Page 382 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 382

products  formed. The  gray  spots  could later  be  color-matched  to  the  patina f desired  (see
                                                                           i
           PLATES  84 and  85 for an example  of pitting corrosion before  and after cleaning, respectively). 11
              The  chemical  reactions  that  result in this  seal start  with  hydrolysis of the  CuCl in con­
           tact with  the moist zinc dust. This results in cuprite formation and the generation  of a slightly
           acidic  solution that  favors  the  production of more  zinc  ions.  These  zinc  ions  then  react  to
           form  basic zinc hydroxide chloride, which  provides  a more  effective  treatment  than  conser­
           vation with  silver oxide paste. At least two basic zinc hydroxide chlorides—6Zn(OH) 2 -ZnCl 2
           and  4Zn(OH) 2 ZnCl 2 —form  in  the  presence  of  chlorides  and  zinc  ions  at  a  concentration
           greater than o.oi M and  at a pH less than  7; crystalline zinc hydroxide, Zn(OH) 2 ,  also forms.
           The  layered  structure  of 4Zn(OH) 2 ZnCl 2  is beneficial  to  the  anticorrosion behavior  of zinc
           coatings in general.
              There  are  two drawbacks  to the  zinc-dust  treatment  as published.  One  is the  amount of
           repetitive work needed to moisten the pits ten to twelve times per day; it may be that this can be
           substantially reduced without affecting the efficacy of the treatment. The second drawback is the
           need to cosmetically color-match the  filled pits either with copper  carbonates as a paint, as sug­
           gested by Sharma,  Shankar Lai, and Nair (1995), or with  acrylics in a suitable medium, such  as
           acrylic emulsion or polyvinyl acetate emulsion. f there are many pits to be treated on an object,
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           the work may become highly labor intensive, and some conservators  may still prefer  the silver-
           oxide paste treatment, 12  especially  since  the  dark brown-black color of the  silver oxide paste
           blends well with most  patinas.
              Another  approach  to localized treatment  was  taken  by Aldaz and  coworkers  (i986), who
           developed  a  simple  electrolytic tool  for  corrosion  removal. With  their  apparatus,  the  object
           being treated is used as the cathode in an electrolytic cell; the anode is made of carbon or stain­
           less steel;  and the electrolyte is a solution of sodium hydroxide. The anode rod and electrolyte
           are  housed in a plastic cylinder that ends in a porous  tip, such  as sintered  glass. A drop of the
           solution is placed on the area to be treated,  and the tip of the cylinder is applied to it; the sur­
           rounding metallic area becomes the anode, and the two areas are connected  by a copper wire to
           a battery, forming a circuit. The authors  claim good results using this method on Roman  bronze
           coins from  Santa Pola, Alicante, Spain. There  are problems with this method, however, such  as
           the  application of the  electrolyte to the  object's  surface,  since  chemical changes to the  surface
           corrosion products  may result,  and it may be  difficult  to make  a circuit function properly on
           heavily corroded bronzes. It may also be difficult  to limit the electrolytic action precisely to the
           spot under  treatment;  there is always a danger that the solution will  affect  the region immedi­
           ately surrounding the area under treatment,  causing it to darken or undergo other alteration. As
           a treatment method, this technique  does not appear to be worse than some others, but it has not
           been mentioned in the literature again since it was published in 1986, which limits the  evalua­
           tion of its efficacy.





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