Page 401 - Copper and Bronze in Art: Corrosion, Colorants, Getty Museum Conservation, By David Scott
P. 401

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                Despite the problems with  cellulose nitrate  as a coating, f it is kept for a long time at low
             light levels, some polymer  films  made of this material have survived quite well for  as long  as
             sixty years (Selwitz 1988). There  are instances where objects  coated with nitrocellulose lacquer
             twenty-five years ago were delacquered  with ease in  1996.

             Resin coatings           A resin coating popular from  the early 1950 s was Bedacryl 221Χ ;
                                      however, the acrylic polymer base, butyral methacrylate in tol­
             uene, was not very stable and tended  to cross-link on exposure to ultraviolet light. The  use of
             this coating has been discontinued, along with that of soluble nylon, which ended up not being
             soluble at all. Another unsuitable material often used from  the 1930s to the 1960s and now gen­
             erally available only for thin  films  such  as coin holders is polyvinyl chloride, or PVC. One com­
             mon  problem in using PVC coin holders is that bronze coins stored in them develop green  stains.
             This  corrosion is caused by the  chloride ions in the  material and by the plasticizers  (such  as
             phthalates),  whose hydrolysis products  can contain carboxylic acids. These holders have grad­
             ually been phased out in most major museum collections and replaced with polyethylene hold­
             ers  or foams.  Because of dioxins created  during the  manufacture  of PVC, this polymer is now
             banned  from production in many European  countries.
                A  much more  satisfactory  acrylic resin  system  is Paraloid  Β 72,  which  has  been  manufac­
             tured continuously for more than thirty years by Rohm and Haas Inc. of Philadelphia. Known
             in  the United States as Acryloid  Β72, it is a copolymer of ethyl methacrylate  and methyl meth­
             acrylate and has  much better  aging properties  than the butyl methacrylates. This resin is used
             extensively in bronze  conservation work, both as an adhesive and  as a coating.


             Incralac                 During the i960 s the International Copper Research and Devel­
                                      opment Corporation in New York investigated suitable  coatings
             for  copper  alloys. The  result was  Incralac, a product consisting of epoxidized soybean  oil (as
             a leveling agent), benzotriazole  (as a υ ν  stabilizer—not, as is often stated, a corrosion inhibitor),
             ethyl methacrylate  and butyl acrylate copolymer (known as  Β 44,  a copolymer from  Rohm and
             Haas Inc.), toluene,  and ethanol. The coating has  become an industry standard  for many out­
             door applications, although it cannot  be used  as a coating for bronze  sculpture without recog­
             nition of the fact that it will eventually break down and become insoluble.
                Incralac was included in a study of the effectiveness  of various plastic and wax coatings in
             protecting outdoor bronze  sculpture  (Beale and  Smith 1987). Acrylic  coatings  performed  well
             in  a series of evaluation trials, although wax formulations were  also reasonably  effective. In
             this  study  two  different  environments  were  used:  simulated  acid  rain  and  normal  outdoor
             conditions. Cast bronze  relief panels, with  composition of 85Cu5Sn5Zn5Pb,  were coated  with
             the  following:





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