Page 382 - Chinese Porcelain Vol II, Galland
P. 382

4 i2                 KEEN-LUNG.
            from the  emperor  himself demonstrations of  respect  such as
                           to none but the         consort." We are
            justly appertain               empress
            told that in 745 she was raised to the rank of Kwei Fei, second
            in  dignity  to that of the  empress,  and that the  emperor, growing
            more shameless, introduced into the harem her three sisters,
                   them to the rank of           and           them
            raising                    princesses,    endowing
            with valuable fiefs from which  they  took their titles, Kwoh
                    Kwoh Kwoh           and Ts-in Kwoh          Her
            Fu-jen,             Fu-jen,                 Fu-jen.
            father and brother  (a  coarse uneducated  voluptuary)  were
            raised to  high  office.  No  outlay  was  spared  to  gratify  her
            caprices, tributary kingdoms  were ransacked for  gems, and,
            during  the  early summer, relays  of couriers were  employed  in
                        from Southern China        of litchi, a fruit of
            transporting                   supplies
            which she was  immoderately  fond.  In A.D. 756 the famished
                    rose in revolt, and the       was forced, it is said
            soldiery                     emperor
            with unutterable  anguish,  to order the eunuch Kao Li-sze to
                                         "
                     the  Princess        whilst  the  latter's  brother
            strangle              Yang,
                               and her sister Ts'in Kwoh        were
            Yang Kwoh-chung                             Fu-jen,
            torn from the  imperial presence by  the revolters and  publicly
            massacred."
                Nos. 711, 712, 713. A rose verte vase.  Height,  17 inches.
            No mark.   This is one of the
                                         pieces  with the five bats (see
            No. 334), and  is a                                Seven
                               very good specimen  of its class.
            ladies are  ranged  round the vase under the shade of a  pine
            tree, the trunk of which, as is usual at this  period,  is  painted
             in  sepia.  We cannot but  regret  the rich  aubergine  or  green
             trunks of the                but in this case can console
                          Kang-he period,
             ourselves with the  beauty  of the ladies' dresses, most  carefully
             painted  in  lovely  coloured enamels, all of delicate tone. We
             can see         influence in the    of the       and in
                    European                style      drawing
             the          To                        is coloured with a
                painting.     begin with, the  ground
             light green  wash from the base of the vase  up  to the  garden
             fence  ; the rocks in  sepia  with  just  the  suggestion  of red are
             painted  with all the care  required  to  represent marble, while
                                                   "
             the bamboo fence shows all the         The motive shows
                                           joints.
             the seven star-like damsels    flowers
                                     picking        one carries a vase,
             another a        another a flower-basket."
                      bouquet,
                Some  way  back we considered five  figures belonging  to the
             Kang-he period  ; let us now  glance  at those of the  present
             reign,  which we have the  opportunity  of  doing  in
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